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Bibliography

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

So, Carolyn U.

Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sonntag, Dawn Lenore

Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stace, Stephen

Year: 1974
Complete Citation:
Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.
Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Staebler, Roger Allen

Year: 1959
Complete Citation:
Staebler, Roger Allen. “Charles Ives: An Evaluation of His Aesthetic Philosophy.” M.M. thesis, University of Cincinnati, 1959.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Stavridis, Katherine

Year: 1981
Complete Citation:
Stavridis, Katherine. “Charles E. Ives: an American composer: a study of his music.” M.M. thesis, University of Melbourne, 1981.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Steinbrink, Lisa Yvonne

Year: 1989
Complete Citation:
Steinbrink, Lisa Yvonne. “Charles Edward Ives: his relationship to other composers, his general composition techniques, and an analaysis[sic] of the second string quartet.” M.M. thesis, University of Colorado, 1989.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stieglitz-Goffre, Anne-Marie

Year: 1982
Complete Citation:
Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.
Source: ?
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stojanovic, Gordana

Year: 1972
Complete Citation:
Stojanovic, Gordana. “The study of polyphony and rhythm in selected works by Charles Ives.” M.A. Thesis, University of California, San Diego, 1972.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew

Year: 2016
Complete Citation:
Stout, Andrew. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew H.

Year: 2016
Complete Citation:
Stout, Andrew H. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Struble, John Warthen

Year: 1978
Complete Citation:
Struble, John Warthen. “The Concord Sonata of Charles E. Ives: A Reference for Pianists and Scholars.” M.A. thesis, University of California at San Diego, 1978.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sulouff, Jack F.

Year: 1985
Complete Citation:
Sulouff, Jack F. “The second violin sonata of Charles Ives: a thematic analysis.” Northern Illinois University, 1985.
Source: M. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sundell, Steven Lynn

Year: 1973
Complete Citation:
Sundell, Steven Lynn. “Charles Ives' use of simultaneity to conflict and blur tonality: the projection of multiple layers of music in "Putnam's camp" and related sources.” M.M. Thesis, University of Wisconsin-Madison, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Thomson, Alexander J.

Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: An Analysis and Application of His Scoring Techniques.” M.S. thesis, Western Connecticut State Uni-versity, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: an analysis and application of his scoring technique.” M.S. Thesis, Western Connecticut State University, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Treider, Leo

Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.
Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses