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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Helms, Hans G.

Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Henck, Herbert

Year: 1987
Complete Citation:
Henck, Herbert. Ives & Co.: 13 Konzerte d. Westdt. Rundfunks Köln im Rahmen d. Internat. Festivals “Charles Ives u. d. amerikan. Musik” in Duisburg 1987/1988. Cologne, Germany: WDR, 1987.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Hepokoski, James

Year: 1994
Complete Citation:
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Herchet, Jorg

Year: 1993
Complete Citation:
Herchet, Jorg. “Polifonia es tarea.” Translated by Rutilo Silva. Pauta: Cuadernos de teoria y critica musical 12/46 (April-June 1993): 62-68.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Hiekel, Jörn Peter

Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Hitchcock, H. Wiley and Vivian Perlis, eds.

Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis, eds. An Ives Celebration. Urbana, IL: University of Illinois Press, 1977.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Hitchcock, H. Wiley, ed.

Year: 1974
Complete Citation:
Hitchcock, H. Wiley, ed. Charles Ives Centennial Festival-Conference. New York, NY: G. Schirmer and Associated Music Publishers, 1974.
Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Hwang, Mi Kyung

Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.
Source: Magazine
VI. Topical Studies
G. Music Theory Analyses

Iverson, Jennifer

Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).
Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses

Josephson, Nors S.

Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kenyon, Nicholas

Year: 1976
Complete Citation:
Kenyon, Nicholas. “Holland Festival (Hague Residentie Orchestra).” Music and Musicians 25, no. 2 (October 1976): 52.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Kerr, Hugh H.

Year: 1974
Complete Citation:
Kerr, Hugh H. “Report from Miami: Ives Centennial Festival, 1974-1975.” Current Musicology 18 (1974): 41-42.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Kramer, Jonathan Donald

Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.
Notes:

Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kunze, Stefan

Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kuypers, John M.

Year: 1948
Complete Citation:
Kuypers, John M. “The Festival of Contemporary Arts of the Univer-sity of Illinois.” Pan Pipes 41/2 (December 1948): 115-116.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Lambert, J. Philip

Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Mesquita, Marcos

Year: 2015
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses