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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Metzer, David, moderator

Year: 2005
Complete Citation:
Metzer, David, moderator. “Ives.” Panel at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Meyer, Alfred H.

Year: 1932
Complete Citation:
Meyer, Alfred H. “Yaddo—a May Festival.” Modern Music 9 (May-June 1932): 172-176.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Moore, Douglas Stuart

Year: 1948
Complete Citation:
1948 - Douglas S[tuart] Moore. “Columbia University Festival, Contemporary American Music.” Pan Pipes 41/2 (December): 113.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Morgan, Robert P.

Year: 1977
Complete Citation:
Morgan, Robert P. “Spatial Form in Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 145-158. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Niemöller, Klaus Wolfgang

Year: 1987-88
Complete Citation:
University of Cologne and Westdeutschen Rundfunk. Charles Ives und die amerikanische Musiktradition bis zur Gegenwart. Cologne and Duisburg, Germany: University of Cologne, 1987-88.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Niemöller, Klaus Wolfgang and Manuel Gervink

Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang and Manuel Gervink, eds. Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart": Köln 1988. Regensburg, Germany: G. Bosse, 1990.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

O’Reilly, F. Warren

Year: 1976
Complete Citation:
O'Reilly, F. Warren. South Florida’s Historic Festival 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “An Introduction to Charles Ives.” Pre-concert talk at The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Pre-concert talk.
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Pitney, Robert

Year: 1932
Complete Citation:
Pitney, Robert. “Musical Chronicles: Yaddo and Gurre.” Hound and Horn 5 (July-September 1932): 666.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Reilly, Warren F., ed.

Year: 1976
Complete Citation:
Reilly, Warren F. South Florida's Historic Ives Festival, 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Reinhard, Johnny

Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses

Riedel, Johannes, ed.

Year: 1970
Complete Citation:
Riedel, Johannes, ed. Ives at Minnesota. Minne-apolis, MN: Festival at the University of Minnesota, April-May, 1970.
Source: Program Book for Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rossiter, Frank R.

Year: 1977
Complete Citation:
Rossiter, Frank R. “Charles Ives: Good American and Isolated Artist.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 16-28. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rostand, Claude

Year: 1970
Complete Citation:
Rostand, Claude. Autour de Charles Ives, 1874-1954: exposition du vendredi 24 avril au samedi 16 mai 1970: Centre culturel américain, 3, rue du Dragon, Paris 6. Paris, France: Centre Culturel Américain, 1970.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses