Image
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Bibliography
Genres
Searle, Humphrey
Year: 1954
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Shackelford, Rudy
Year: 1978
Complete Citation:
Shackelford, Rudy. “The Yaddo Festivals of American Music, 1932-1952.” Perspectives of New Music, vol. 17, no. 1 (1978): 92-125.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Sherwood, Gayle
Year: 2005
Complete Citation:
Sherwood, Gayle, chair. “Charles Ives [Panel].” Panel at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Swafford, Jan
Year: 1999
Complete Citation:
Swafford, Jan. “Charles Ives the Commuter.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes:
Conference Keynote Address
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Swed, Mark
Year: 2020
Complete Citation:
Swed, Mark. “The Ives of March; Dudamel Brings the Power with an Early 20th Century Firebrand.” The Los Angeles Times, March 5, 2020.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 2020
Complete Citation:
Swed, Mark. “Culture Monster; Music Review; Remastered Hits; Gustavo Dudamel Presents a Bold Theory in Dvorak-Ives Pairing.” The Los Angeles Times, February 26, 2020.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Terse, Paul
Year: 1987
Complete Citation:
Terse, Paul. Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschr. zur Ausstellung Niederrheinisches Museum d. Stadt Duisburg, 13. September bis 1. November 1987. Duisburg, Germany: Stadt Duisburg, 1987.Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Walcott, Penelope
Year: 2005
Complete Citation:
Walcott, Penelope. “Talking around Ives.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Wallach, Laurence
Year: 1975
Complete Citation:
Wallach, Laurence. “The Ives Conference: A Word from the Floor.” Current Musicology, no. 19 (1975): 32-36.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Year: 1932
Complete Citation:
First Festival of Contemporary American Music. Trask Mansion, Yaddo Estate, Saratoga Springs, NY, May 1, 1932.Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1946
Complete Citation:
Second Annual Festival of Contemporary American Music. McMillan Theatre, Columbia University, New York, NY,May 11, 1946.
Notes:
Third Program was devoted to Ives's works; The Unanswered Question and Central Park in the Dark were given their premieres.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences
Year: 1948
Complete Citation:
The Festival of Contemporary Arts of the University of Illinois. University of Illinois, Cham-paign-Urbana, May 1948.Notes:
The musical portion of the festival fea-tured chamber and solo works by Ives.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
A. Festivals/Conferences