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Bibliography

Otten, Jürgen

Year: 2004
Complete Citation:
Otten, Jürgen. “Auf Transzendentalistischem Pfad: Das Festival Maerzmusik in Berlin Beschäftigte Sich Mit Charles Ives Und Den Konsequenzen.” Neue Zeitschrift Für Musik, vol. 165, no. 3 (2004): 68-68.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Perlis, Vivian

Year: 1996
Complete Citation:
Vivian Perlis. “Ives Spirit Muses Brits,” review of The Unanswered Question Festival; January 19 to 21: London. Piano and Key-board (May/June) 180: 12-14.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Perison, Harry

Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Permoser, Manfred

Year: 2005
Complete Citation:
Permoser, Manfred. “Echo: “Kontraste”: Minoritenkirche Krems / Stein.” Österreichische Musikzeitschrift, Vol. 60, No. 12 (2005): 47-48.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Porter, David H.

Year: 2004
Complete Citation:
David H. Porter. “Don't Pin Him Down.” The New York Times 2, May 23, 2004, 2.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Reeve, Lew

Year: 1970
Complete Citation:
Reeve, Lew. “Charles Ives’ Music Done Well in Con-cert.” Minneapolis Star. April 8.
Notes:

Ives’s “transcendental philosophy, love of Emerson, and ability with pungent ex-pression comes through.” States erroneously that Ives died in 1969 to the age of 80.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Reinhard, Johnny

Year: 2005
Notes:

Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.

Source: Online article
VI. Topical Studies
G. Music Theory Analyses

Reinthaler, Joan

Year: 1973
Complete Citation:
Reinthaler, Joan. “Festival.” The Washington Post and Times Herald, April 16, 1973, B9.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Rockwell, John

Year: 1979
Complete Citation:
Rockwell, John. “Underground Music Surfaces for a Nine- Day Festival.” The New York Times, June 3, 1979.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Rockwell, John. “Best of Ives, Wall to Wall.” The New York Times, March 16, 1984, sec. 3, 1.
Notes:

Announcement of twelve-hour marathon of performances.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Ross, Alex

Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times. November 15, 1994, sec. C: 20.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1996
Complete Citation:
Ross, Alex. “Vindicating Ives on Dates and Music,” review of Charles Ives and His World Festival. The New York Times (August 20, 1996) sec. C, 13, 14.
Notes:

In a review of programs, Ross comments on verification of dates on Ives’s compositions, especially by using Gayle Sherwood's methods.

Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Review: Alex Ross. “Pandemonium.” New Yorker 80/15 (June 7): 97--99.
Notes:

Review of “Charles Ives: An American Original in Context” Festival. Includes an illustration by Istvan Banyai.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2012
Complete Citation:
Ross, Alex. “Joyful Noise.” The New Yorker, Vol. 88, No. 9 (2012): 104-106.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Con-cert and Context,” review of Between the Bandstand and the Concert Hall: Ives and His Sources, Charles Ives and His World Festival. Wall Street Journal (1996 August 15) A, 8.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schiff, David

Year: 1996
Complete Citation:
David Schiff. "The Many Faces of Ives." Atlantic Month-ly (1997 January) 279/1: 84-87. General article with comments on the Bard Festival.
Source: Magazine
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schoffman, Nachum

Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Schonberg, Harold

Year: 1974
Complete Citation:
Schonberg, Harold. “The Pulse of America Beats in the Music of Ives.” The New York Times. October 6, 1974.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series