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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schonberg, Harold C.

Year: 1974
Complete Citation:
Schonberg, Harold C. “Innovation—So What Else is New?” The New York Times. October 20, 1974, sec. D, 21.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schuller, Gunther

Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.
Notes:

Discusses absolute music and program music.

Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Schulz, Reinhard

Year: 2001
Complete Citation:
Schulz, Reinhard. Kulturpartisanen im Land von Freedom and Democracy: Osterfestival in Innsbruck mit dem Motto “Das bessere Amerika.” Neue Musikzeitung, Vol. 50, No. 5 (2001): 39.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Scott, Ann Besser

Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Searle, Humphrey

Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Sherman, Robert

Year: 1974
Complete Citation:
Sherman, Robert. “For Ives, a Lovely Sound in Brooklyn.” The New York Times.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Sherman, Robert. “Music: For Ives, Deft 114-Song Salute.” The New York Times, November 19, 1974, 52.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Sherman, Robert. “Music Fair to Open Site of Ives Center.” The New York Times, September 23, 1984, sec. 11, CN, 19.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Simon, Robert A.

Year: 1946
Complete Citation:
Simon, Robert A. “Uptown.” New Yorker 22/14 (May 18, 1946): 96--98.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Sites, Michael

Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses

Smith, Ken

Year: 1996
Complete Citation:
Smith, Ken. “Bard Festival: Charles Ives: The Power to Offend.” American Record Guide (1996 November/De-cember) 59/6: 36-38.
Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Smith, Kenneth M.

Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Somigli, Paolo

Year: 1996
Complete Citation:
Paolo Somigli. Review of Charles Ives and His World Festival. Il saggiatore musicale (2002) 9/1-2: 265--270.
Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Struck-Schloen, Michael

Year: 1988
Complete Citation:
Struck-Schloen, Michael. “Köln, 24. Bis 27. Februar 1988: Internationales Symposion: ‘Charles Ives Und Die Amerikanische Musik.’” Die Musikforschung, vol. 41, no. 4 (1988): 356-357.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Stuck-Schoen, M.

Year: 1988
Complete Citation:
Stuck-Schloen, M. “Review of ‘Internationale Symposium’: "Köln, 24. bis 27. Februar 1988: International Symposium Charles Ives und die amerikanische Musik.” Die Musikforschung 41/4: 356-357.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Swed, Mark

Year: 1996
Complete Citation:
Mark Swed. “Ives by BBC: Questions Raised and An-swered,” review of The Unanswered Question Festival; January 19 to 21: London. American Record Guide 59/4 (July-August): 38, 42.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Thompson, Howard

Year: 1980
Complete Citation:
Thompson, Howard. “Going Out Guide: Ives and Ivories Listening Rooms Learning, Staging, Playing.” The New York Times, April 16, 1980, C19.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses