Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
Tuvelle, Howard
Year: 1974
Complete Citation:
Tuvelle, Howard. “Festival in Ives Country—Year-Long, Complete Festival in Miami.” Clavier 13/7 (1974): 12-13.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Whiting, Melinda
Year: 2004
Complete Citation:
Whiting, Melinda. “Celebrating Ives.” Symphony 55/3 (May--June 2004): 14.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Wohlfahrt, H.T.
Year: 1996
Complete Citation:
Wohlfahrt, H. T. “Unbeantwortete Frage und viele Auskünfte,” review of The Unanswered Question Festival; January 19 to 21: London. Neue Musikzeitschrift 45 (April/May): 51.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Yellin, Victor Fell
Year: 1975
Complete Citation:
Yellin, Victor Fell. “Current Chronicle: Charles Ives Festival-Conference.” Musical Quarterly 61/2 (1975): 295-299.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1975
Complete Citation:
Yellin, Victor Fell. “Charles Ives Festival-Conference.” The Musical Quarterly, Vol. LXI, Issue 2: 295-299.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
no author listed
Year: 1953
Complete Citation:
“Provincial Festivals.” The Musical Times 94/1326 (1953): 375-376.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1968
Complete Citation:
“Festival Ends at Mitchell.” The Hartford Courant, July 14, 1968, 10B3.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1988
Complete Citation:
“Wege ins Unvertraute: neun Monate Charles Ives und die Amerikanische Musik in Duisburg.” Musikhandel 39/6 (1988): 301.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1996
Complete Citation:
“Ives at Bard.” Piano & Keyboard 182 (September/Oc-tober 1996): 13.Source: Journal
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1997
Complete Citation:
“Festivals: New Music Exposition Brno 1996.” Czech Music, No. 1 (1997): 10.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1998
Complete Citation:
“Yale University: Celebrating Ives and Yale, 1898-1998.” M2 PressWIRE, March 23, 1998, 1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2008
Complete Citation:
“Fue Recordado El Compositor Charles Ives Con Un Concierto.” Notimex, October 19, 2008.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2013
Complete Citation:
“Arts Roundup: Art, the Music of Charles Ives - and Privacy Goes Public with Facebook-Fueled ‘Sanctum.’” UW News, May 2, 2013.Notes: Announcement for a three day celebration of Charles Ives at the UW School of Music.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2015
Complete Citation:
“Concerts, Readings Celebrate Charles Ives.” Buffalo News, April 7, 2015.Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
