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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kramer, Jonathan Donald

Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.
Notes:

Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Krehbiel, Ken

Year: 1988
Complete Citation:
Krehbiel, Ken. “Vintage Ives at the Terrace: FINAL Edition.” The Washington Post, October 6, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kremenliev, Boris

Year: 1967
Complete Citation:
Kremenliev, Boris. “Pierre Boulez wirkt beim Ojai--Festival mit Three Places in New England.” Melos 34 (September 1967): 313.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kriegsman, Alan

Year: 1967
Complete Citation:
Kriegsman, Alan. “Singers Perform with Gusto, Style.” Washington Post, October 1967, sec. D, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kriegsman, Alan M.

Year: 1967
Complete Citation:
Kriegsman, Alan M. “Gregg Smith Singers Perform Ives’ Music with Genius.” The Washington Post and Times Herald, October 26, 1967, D23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Kriegsman, Alan M. “Ives Sonata Given Fresh Treatment.” The Washington Post and Times Herald, August 4, 1967, B6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Kriegsman, Alan M. “Testament to a Genius: Testament.” The Washington Post and Times Herald, September 7, 1972, D1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Kriegsman, Alan M. “Reminders of Boldest and Best.” The Washington Post and Times Herald, September 5, 1972, B4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kunze, Stefan

Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kupferberg, Herbert

Year: 1962
Complete Citation:
Kupferberg, Herbert. “Ives: Painter in Music.” New York Herald Tribune, April 1, 1962, sec. 4, 6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kuznitsky, Hans

Year: 1932
Complete Citation:
Kuznitsky, Hans. “A Set of Pieces.” Neuen Musikalien [Berlin] (December 1932): 34.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kyle, Marguerite Kelly

Year: 1950
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres. Recent Performances. New Releases: Charles Ives.” Pan-Pipes 43/2 (December 1950): 123.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1952
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres, Recent Performances New Releases: Charles Ives.” Pan-Pipes 44/2 (January 1952): 34-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Kyle, Marguerite Kelly. “AmerAllegro: Premieres, Recent Perfor-mances, New Releases: Charles E. Ives.” Pan Pipes 45/2 (January 1953): 56.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1954
Complete Citation:
Kyle, Marguerite Kelly Kyle. “AmerAllegro: Premieres, Recent Performances, New Releases: Charles E. Ives.” Pan Pipes 46/2 (January 1954): 47.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

L.D.

Year: 1944
Complete Citation:
L.D. “Vitality Adds to Appeal of Charles Ives Program.” Los Angeles Times, November 12, 1944, 5.
Notes:

A review of performances of some songs on an all-Ives program (1944 October 30: Los Angeles; "Evenings on the Roof'; Elizabeth Vermeulen, voice; Frances Mullen, piano).

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Lambert, J. Philip

Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses