Brown, Geoff
Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives: Three Places in New England: 1F Edition.” Times (London, England), October 12, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Torrent show: Final 1 Edition.” Times (London, England), January 28, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “SFS/Thomas: Final 4 Edition.” Times (London, England), May 12, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Steven Sloane Tinkles the Ives: Final 5 Edition.” Times (London, England), February 28, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brown, Peter
Year: 1965
Complete Citation:
Brown, Peter. “Recitals: Ives on a Birthday.” Music and Musicians 14/4 (De-cember 1965): 49, 61.Notes: Concert on October 21, 1964 at the American Embassy Theatre in London, United Kingdom. Annon Lee Silver, voice; Ronald Lumsden, piano.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brozan, Nadine
Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, October 31, 1992.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times. October 31, 1992, 22.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, May 27, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brozen, Michael
Year: 1968
Complete Citation:
Brozen, Michael. “A Week for Charles Ives: Recitals by Esther Glazer/Easley Blackwood and Alan Mandel.” High Fidelity/Musical America 18/6, June 1968, 17.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Buell, Richard
Year: 1986
Complete Citation:
Buell, Richard. “Finch Gives His all to Ives’ ‘Concord’ Sonata.” Boston Globe, July 29, 1986, 27.Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
Bullard, Doug
Year: 2005
Complete Citation:
Bullard, Doug. “Neely Bruce and Charles Ives, Reunited: Statewide Edition.” The Hartford Courant, June 23, 2005.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints: Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
Burk, John N.
Year: 1948
Complete Citation:
Burk, John N. “Composer from Connecticut.” In Concert Bulletin of the Boston Symphony Orchestra 67/15 (February 6-7, 1948), 797-798. Boston, MA: Boston Symphony Orchestra, 1948.Source: Concert Bulletin
Reprints: Burk, John N. “Composer from Connecticut.” In <i>Concert Bulletin of the Boston Symphony Orchestra </i>67/12<i> </i>(February 13-14, 1948), 870-886; 82/6 (November 2-3 1962), 344, 346, 348, 350-354. Boston, MA: Boston Symphony Orchestra, 1962.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Burkholder, J. Peter
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
C.H.
Year: 1948
Complete Citation:
C.H. “Joan Field Officers Ives’ First Sonata: Young Violinist also Presents Chausson, Mozart, Bach and Ysaye Works at Town Hall.” The New York Times, October 12, 1948, 32.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Cameron, Michael
Year: 1963
Complete Citation:
Cameron, Michael. “Pianist Hamelin Gives Ives’ Sonata Heartfelt Hearing: Chicago Final Edition.” Chicago Tribune, September 4, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Canning, Hugh
Year: 1931
Complete Citation:
Canning, Hugh. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), September 18, 2005.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Cantrell, Scott
Year: 1996
Complete Citation:
Cantrell, Scott. “New Ear Will Present Selections from Composer Charles Ives.” Kansas City Star. January 21, sec. I, 8.Notes: Announcement of an all-Ives program given by a contemporary music ensemble at St. Mary’s Episcopal Church, Kansas City. The concert included songs, instrumental pieces (some arranged for this group), and readings from <i>Essays Before a Sonata </i>as “Essays Before an Audience” with various accompaniments.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances