Image
Complete Citation:
Westenburg, Richard. “Charles Ives.” Music/The AGO-RCCO Magazine 8/10 (1974): 26-29.
Bibliography
Genres
Westenburg, Richard
Year: 1974
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Whittaker, Herbert
Year: 1970
Complete Citation:
Whittaker, Herbert. “Music on Records: Rhythmic Experiments in Ives Collection.” The Globe and Mail, October 8, 1970, 11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Willis, Thomas
Year: 1967
Complete Citation:
Willis, Thomas. “Records: Virtuosity in Music’s Service: Horowitz, Lipatti, Masselos.” Chicago Tribune, April 16, 1967, E11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Willis, Thomas. “Records.” Chicago Tribune, July 16, 1967, E9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Willis, Thomas. “A Quilt Well Stitched.” Chicago Tribune, June 17, 1968, B12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Williams, Claire Vaquero
Year: 2009
Complete Citation:
Williams, Claire Vaquero. Discos: Británicos e irlandeses. Scherzo: Revista de Música, Vol. 24 (2009): 69.XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Williams, Rory
Year: 2011
Complete Citation:
Williams, Rory. “Hilary Hahn Dives into Ives on Latest CD.” Strings, Vol. 26, No. 4 (2011): 13.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wilson, Peter Niklas
Year: 2001
Complete Citation:
Wilson, Peter Niklas. “Sound Comes into Its Own.” Neue Zeitschrift fur Musik 2001/5 (September-October 2001): 12-17.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wolffers, Jules
Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wollny, Ute
Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.Notes:
Series included twenty-five works; Eberhardt Klemm, commentator.
Source: Journal
B. Recording Reviews
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Wright, Stephen
Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Wulfert, Eric J.
Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.Notes:
Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Yellin, Victor Fell
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1935
Complete Citation:
“Phono Review.” Boston Evening Transcript. October 29, 1935, 37-38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1938
Complete Citation:
“June Records.” Time XXXII, 1 (July 4, 1938): 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews