decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Davenport, Guy

Year: 1990
Complete Citation:
Davenport, Guy. “Ives the Master.” In Words on music: from Addison to Barzun. Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.
Source: Chapter in Book
Reprints:

Davenport, Guy. “Ives the master.” In <i>Words on music: from Addison to Barzun</i>. Athens: Ohio University Press, 1990.

XIII. Ives in Literature
A. Poetry

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

Dickinson, Peter

Year: 1994
Complete Citation:
Dickinson, Peter. “Emily Dickinson and Music.” Music & Letters 75/2 (May 1994): 241-245.
Notes:

Only a passing quotation about Ives by Copland at the opening recital of the Charles Ives Centennial Festival-Confer-ence: “How could that man write that music?”

Source: Journal
XIII. Ives in Literature
A. Poetry
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donner, Gregory

Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Drew, James

Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Eberhart, Richard

Year: 1973
Complete Citation:
Eberhart, Richard. Ives. Seattle, WA: Seattle University, 1973.
Notes:

Book of poetry

Source: Book
XIII. Ives in Literature
A. Poetry

Forte, Allen

Year: 1992
Complete Citation:
Forte, Allen. “The Diatonic Looking Glass, or An Ivesian Metamorphosis.” Musical Quarterly 16/3 (Fall 1992): 355-382.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Freund, Robin

Complete Citation:
Freund, Robin. “Charles Ives: On the Completion of ‘The Housatonic at Stockbridge.’” A Charles Ives Newsletter.
Notes:

Published on the Charles Ives Society’s web- site.

Source: Poem
XIII. Ives in Literature
A. Poetry

Furnas, T. Chalmers

Year: 1937
Complete Citation:
Furnas, T. Chalmers. “Charles E. Ives, An Essay.” The Mills of God, A Book of Essays and Poems. Amesbury, MA: The Whittier Press, 1937.
Source: Book
XIII. Ives in Literature
A. Poetry

Gardner, John

Year: 1967
Complete Citation:
Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Gingerich, Lora Louise

Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Gizzi, Peter

Year: 1998
Complete Citation:
Gizzi, Peter. “Decoration Day.” In Artificial Heart. Providence, RI: Burning Deck, 1998.
Source: Poem
XIII. Ives in Literature
A. Poetry

Helms, Hans G.

Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Hepokoski, James

Year: 1994
Complete Citation:
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Herchet, Jorg

Year: 1993
Complete Citation:
Herchet, Jorg. “Polifonia es tarea.” Translated by Rutilo Silva. Pauta: Cuadernos de teoria y critica musical 12/46 (April-June 1993): 62-68.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Hiekel, Jörn Peter

Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses