Image
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Bibliography
Genres
Sakae, Yoneda
Year: 1988
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schoffman, Nachum
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Searle, Humphrey
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Complete Citation:
Scenes from the Music of Charles Ives. Videocassette [from E229].Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
C. Videocassettes
Complete Citation:
Music Explorer Video. London: London Symphony Orchestra, 1995. Videocassette.Notes:
Includes "Decoration Day" from Holidays Symphony (London Symphony Orchestra, Colin Davis, conductor). Accompanying guidebook by Richard McNicol.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
C. Videocassettes
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1974
Complete Citation:
Charles Ives Centennial (1974). Co-produced by Yale University Office of Public Information and WTNH-TV. Videocassette, 30 minutes.Notes:
Copy in Yale Library.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
C. Videocassettes
Year: 1979
Complete Citation:
Peter Martins: A Dancer. West Long Branch, NJ: Kultur International Films, Ltd., Profile Series 1118, 1979. Videocassette.Notes:
Includes Hallo- we’en as choreographed by Martins and danced by Heather Watts and Daniel Duell.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
C. Videocassettes
Year: 1979
Complete Citation:
Charles Ives: A Good Dissonance Like a Man [from E034]. Metropolitan Museum of Art Home Video Collection, Home Vision, 1979. Available in VHS and Beta videocassette format.Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes
C. Videocassettes