Image
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.
Bibliography
Genres
Mesquita, Marcos
Year: 2015
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Perison, Harry
Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Rathbum, Eldon
Year: 1954
Complete Citation:
Rathburn, Eldon. Snapshot. March,1954. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 872. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints:
One of the last photographs of Ives.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Reinhard, Johnny
Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.Notes:
Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.
Source: Online article
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Sakae, Yoneda
Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schoffman, Nachum
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Searle, Humphrey
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Sipprell, Clara E.
Year: 1948
Complete Citation:
Sipprell, Clara E. Portrait -photographs of Ives and his wife, alone and to-gether. 1948. Taken in her studio. In American Characters: Selections from the National Portrait Gallery Accompanied by Literary Portraits. New Haven, CT: Yale University Press, 1999: 284.Source: Photograph
Reprints:
Sipprell’s photographs are held in the Amon Carter Museum in Fort Worth, TX. Syracuse University also has a collection of her photographic prints.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, W. Eugene
Year: 1947
Complete Citation:
Smith, W. Eugene. Portrait -photographs of Ives, Mrs. Ives, and Julian S. Myrick. April, 1948. Photograph. Life, October 31, 1949, 45.Notes:
In the “Life Congratulates” Section for Ives’s 75th birthday. On assignment from <i>Life</i> magazine. Taken in the New York home of the Iveses. In <i>Photographs, 1934-1975</i>, Hill states that this photograph was "a particular favourite of Smith’s" (164).
Source: Photograph
Reprints:
Mack Burk, James and Michael J. Budds. <i>A Charles Ives Omnibus</i>, 50. Hillsdale, New York: Pendragon Press, 2008. * Bogan Liquor. Advertisement. <i>El Commercio</i> [Quinto, Ecuador] (July 7, 1970): 10. * Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. New Haven, CT: Yale University Press, 1974. See B0687: 42-44. * <i>Photographs, 1934-1975</i>,<br>edited by Gilles Mora and John T, 165. Hill. Paris: Editions du Seuil, 1998; English translation: London: Thames and Hudson, Ltd., 1998, and New York: Harry N. Abrams, 1998. * Also reproduced: numerous times on other recording covers, and in books.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Year: 1949
Complete Citation:
Smith, W. Eugene, “Charles Ives, a photograph.” Life Magazine. October 31, 1949, 45.Source: Magazine
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Tyler, George Grayson
Year: 1950
Complete Citation:
Tyler, George Grayson. Two color photographs of Ives. July, 1950. Tyler, a lawyer, was Ives's son--in--law.Source: Photograph
XVI. Photographs and Artwork
A. Photographs
A. Photographs