Image
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Bibliography
Genres
Albèra, Philippe
Year: 2001
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Almen, Byron, and Robert Hatten
Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
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J. Extra-Musical Themes in Ives’s Compositions
Anderson, Jack
Year: 1978
Complete Citation:
Anderson, Jack. “City Ballet Joins ‘Ivesiana,’ ‘Calcium Light Night.’” The New York Times. May 28, 47.Source: Newspaper
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D. Reviews
D. Reviews
Year: 1992
Complete Citation:
Anderson, Jack. “Review/Dance; Lubovitch Vignettes Set to Ives: Review.” The New York Times, January 31, 1992.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times. October 14, 1993, sec. C: 18.Notes:
Like Ives’s music, Ms. Blankert’s production combined tough mindedness with sentiment.
Source: Newspaper
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D. Reviews
D. Reviews
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times. June 15, 1999, sec. E: 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
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D. Reviews
Ascough, Richard
Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.Source: Magazine
VI. Topical Studies
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J. Extra-Musical Themes in Ives’s Compositions
Ashley, Roberta
Year: 1965
Complete Citation:
Ashley, Roberta. “Ballet Goes Pop: Look what the Stately San Francisco Ballet is Up To.” The Sun, April 11, 1965, WM11.Source: Newspaper
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D. Reviews
Barnes, Clive
Year: 1966
Complete Citation:
Barnes, Clive. “Ives sans Currier.” The New York Times. December 5, 1966: 65.Notes:
“It is a strange engrossing bal-let. Charles Ives was a strange, engrossing composer.” John Tuvas, choreographer.
Source: Newspaper
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D. Reviews
D. Reviews
Baron, Carol
Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.Source: Chapter in Book
Reprints:
Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol K.
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
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H. Ives, 20th Century Music, and Experimental Styles
Bernheimer, Martin
Year: 1976
Complete Citation:
Bernheimer, Martin. “Dance Review: ‘Ivesiana’ by L.A. Ballet.” Los Angeles Times, August 3, 1976, E7.Source: Newspaper
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Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
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Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
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Broyles, Michael
Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
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J. Extra-Musical Themes in Ives’s Compositions
Buchau, Stephanie von
Year: 1976
Complete Citation:
Buchau, Stephanie von. “San Francisco.” Opera News 40/22 (May 1976): 39-40.Source: Magazine
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D. Reviews
D. Reviews
Year: 1976
Complete Citation:
Buchau, Stephanie von. “Meeting Mr. Ives.” Opera News 40 (May 1976): 39-40.Source: Magazine
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Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Callens, Johan
Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions