Abott, Reverend Jacob
Year: 1834-1858
Complete Citation:
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's Correspondence; Rollo's Experiments', Rollo's Museums', Rollo's Philosophy, Rollo's Vacations', and Rollo's Travels. Another group was devoted to Rollo's tours of Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in London', Rollo in Naples; Rollo in Paris', Rollo in Scot-land', Rollo in Switzerland', Rollo on the Rhine', and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen to advanced dissonances and other techniques found in modern music, was derived from a character in books (1834--1858) by Reverend Jacob Abbott. Rollo could understand only the simplest of situations that had been taught or had been explained to him in great detail. Original publishers include Boston, MA: Weeks, Jordan, and Company; Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall & Lincoln.
XIII. Ives in Literature
B. Fiction
Albèra, Philippe
Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Almen, Byron, and Robert Hatten
Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Ascough, Richard
Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol
Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.Source: Chapter in Book
Reprints: Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol K.
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Broyles, Michael
Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Callens, Johan
Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes: In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Cazden, Norman
Year: 1955
Complete Citation:
Cazden, Norman. “Realism in Abstract Music.” Music and Letters XXXVI (January 1955): 38.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Citkowitz, Israel
Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).Source: Journal
Reprints: Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Clarke, Gary E.
Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Conn, Peter
Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Copland, Aaron
Year: 1958
Complete Citation:
Copland, Aaron. “The Twentieth Century: Reorientation and Experi-ment.” Music and Western Man, edited by Peter Garvie, 285-286. London, United Kingdom: J.M. Dent, 1958.Notes: A brief overview of Ives, with brief discography.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Cott, Jonathan
Year: 1974
Complete Citation:
Cott, Jonathan. “Charles Ives, Musical Inventor.” The New York Times, Octo-ber 20, 1974, sec. D, 21, 26.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
