decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Albrecht, Henning, Benjamin Scheuer and Christian Schmidt

Year: 2009
Complete Citation:
Albrecht, Henning, Benjamin Scheuer and Christian Schmidt. Von Charles Ives zur New York School: US-amerikanische Avantgarde im 20. Jahrhundert; Programmbuch zum Seminar am Musikwissenschaftlichen Institut der Universität Hamburg, Sommersemester 2009. Hamburg, Germany: Musikwissenschaftlichen Institut der Universität Hamburg, 2009.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Archabal, Nina

Year: 1974
Complete Citation:
Archabal, Nina. “Ives Festivals at Minnesota, Spring 1971 and 1972.” Cur-rent Musicology 18 (1974): 43-45.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bemlef, J.

Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Boody, Charles G. And Margaret Snell

Year: 1971
Complete Citation:
Boody, Charles G., and Margaret Snell. “The Charles Ives Festival, Spring 1970: Reflections.” Current Musicology 11 (May 1971): 57-58.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Boulez, Pierre

Year: 1974
Complete Citation:
Boulez, Pierre. “Mini-Festival Around Ives.” Stagebill 2/2 (October 1974): 31.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Brandt, Maarten

Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Brooks, William

Year: 1977
Complete Citation:
Brooks, William. “Ives Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 209-23. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Bruce, Neely

Year: 1977
Complete Citation:
Bruce, Neely. “Ives and Nineteenth-Century American Music.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 29-43. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1990
Complete Citation:
Burkholder, J. Peter. “Chalres Ives the Avant-Gardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse. Regensburg: Gustav Bosse Verlag, 1990.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Burkholder, J. Peter, ed.

Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and His World Festival, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18.
Notes:

Seventh in Bard College’s annual "Rediscoveries" series.

Source: Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds.

Year: 2008
Complete Citation:
Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds. Transkription und Fassung in der Musik des 20. Jahrhunderts: Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004. Stuttgart, Germany: Franz Steiner Verlag, 2008.
Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bylander, Cindy

Year: 2014
Complete Citation:
Bylander, Cindy. “Charles Ives and Poland’s Stalowa Wola Festival: Inspirations and Legacies.” The Polish Review, vol. 59, no. 2 (2014): 43-60.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences