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Bibliography

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ewen, David

Complete Citation:
Ewen, David. David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 2, 6, 105, 190, 282. New York, NY: Chilton Publishing, 1969.
Notes:

Additional mentions of Charles Ives.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1949
Complete Citation:
Ewen, David. American composers today, a biographical and critical guide. New York, NY: H.W. Wilson Co., 1949.
Source: Book
VII. Entries in Larger Volumes
D. Other
Year: 1949
Complete Citation:
Ewen, David. American Composers of Today: A Biographical and Cri-tical Guide, 130-132. New York, NY: H.W. Wilson Company, 1949.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1952
Complete Citation:
Ewen, David. “Charles Ives.” In The complete book of 20th century music. New York, Prentice-Hall, 1952.
Notes:

1959 edition discusses Symphony No. 3 (“The Camp Meeting”) and Three Places in New England. The author states that the 1968 edition is a replacement for the previous title. A brief biographical comments; compact discussions of 114 Songs', From the Steeples and the Mountains; Symphonies Nos. 2, 3, 4; Three Places in New England; Sonata No. 2, "Concord, Mass., 1840-1860," for piano; and Quartet No. 2; with considerable information regarding premieres.

Source: Chapter in Book
Reprints:

Ewen, David. “Charles Ives.” In <i>The complete book of 20th century music</i>. New York, Prentice-Hall, 1959. * Ewen, David. <i>The World of Twentieth-Century Music</i>, 177, 394-403. Engle-wood Cliffs, NJ: Prentice-Hall, 1968:

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1954
Complete Citation:
Ewen, David. “Charles Ives." In Ewen's musical masterworks: the encyclopedia of musical masterpieces. New York: Bonanza Books, 1954.
Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1982
Complete Citation:
Ewen, David. American Composers: A Biographical Dictionary. New York, NY: G.P. Putnam's Sons, 1982: 323-325.
Source: Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Favre, Roger

Year: 1990
Complete Citation:
Favre, Roger. “Ives, Charles.” In Encyclopédie des grands maîtres de la musique. Paris, France: Hachette, 1990.
Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Finney, Theodore M.

Year: 1935
Complete Citation:
Finney, Theodore M. A History of Music, 601-602. New York, NY: Harcourt, Brace & Howe, 1935,
Source: Book
Reprints:

Finney, Theodore M. <i>A History of Music</i>, 645. Westport, CT: Greenwood Press, 1947. * Finney, Theodore M. <i>A History of Music</i>. Westport, CT: Greenwood Press, 1976.

VII. Entries in Larger Volumes
A. Textbook Accounts

Gann, Kyle

Year: 1997
Complete Citation:
“Forefathers” Chapter — Gann, Kyle. American Music in the 20th Century. New York: Schirmer, 1997, 7-17 and passim.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gilmore, Bob

Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Glanville-Hicks, Peggy

Year: 1973
Complete Citation:
Glanville-Hicks, Peggy. “Ives, Charles.” In Grove’s Dictionary of Music and Musicians, vol. 4, 560. 5th ed. New York, NY: St. Martin’s Press, 1973.
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries

Glinsky, Albert

Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.
Notes:

Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Goldman, Richard

Year: 1974
Complete Citation:
Goldman, Richard. “American Music: 1918-1960.” In New Oxford History of Music, Vol. 10, 574-583. London, United Kingdom: Oxford University Press, 1974.
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Gorlinski, Gini

Year: 2010
Complete Citation:
Gorlinski, Gini. “Charles Ives.” In The 100 most influential musicians of all time. New York, NY: Britannica Educational Publishing, 2010.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Grannis, Lewis C.

Year: 1935
Complete Citation:
Grannis, Lewis C. Connecticut Composers, 53-57. New Haven, CT: State Federation of Music Clubs, 1935.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Griffiths, Paul

Year: 1978
Complete Citation:
Griffiths, Paul. A Concise History of Avant-Garde Music. New York, NY: Thames and Hudson, 1978.
Source: Book
Reprints:

Griffiths, Paul. <i>Modern Music: A Concise History from Debussy to Boulez</i>. New York, NY: Oxford University Press, 1985. Griffiths, Paul. <i>Modern Music and After</i>. Revised edition. Oxford: Oxford Uni-versity Press, 1995.

VII. Entries in Larger Volumes
A. Textbook Accounts