Abraham, Gerald
Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Addiss, Stephen
Year: 1957
Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes: Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Boardman, Katherine R.
Year: 1969
Complete Citation:
Boardman, Katherine R. “Ives in Performance: 1900-1950.” Term paper, Yale University, 1969.Notes: Copy in the Charles Ives Papers, Irving S. Gilmore Library, Yale University, New Haven, CT.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bounds, Charles Evans
Year: 1951
Complete Citation:
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.” M.M. Thesis, North Texas State College, 1951.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bourne, Patricia Gerald
Year: 1961
Complete Citation:
Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward Ives.” A.B. thesis, Radcliffe College, 1961.Source: A.B. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes: In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Cameron, Janet
Year: Year unlisted
Complete Citation:
Cameron, Janet. “An Analysis of the First Movement of the First Piano Sonata by Charles Ives.” Seminar paper, University of Illinois, year unlisted.Source: Seminar paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Catmull, Joan Carol
Complete Citation:
Catmull, Joan Carol. “The Transcendentalism of Charles E. Ives.” B.A. thesis, Brigham Young University, 1969.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1966
Complete Citation:
Chase, Gilbert. “Composer from Connecticut.” In America’s Music: From the Pilgrims to the Present. 2nd ed., 403-28. New York, NY: McGraw Hill, 1966.Source: Chapter in Book
Reprints: Chase, Gilbert. “Composer from Connecticut.” In <i>America’s Music: From the Pilgrims to the Present</i>. 3rd ed. Urbana, IL: University of Illinois Press, 1987: 429-446.
VII. Entries in Larger Volumes
A. Textbook Accounts
Citkowitz, Israel
Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).Source: Journal
Reprints: Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles