Image
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Bibliography
Genres
Abraham, Gerald
Year: 1979
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Allenby, David
Year: 1991
Complete Citation:
Allenby, David. “Festivals (Towards the Millennium Concert Series).” Musical Opinion 114/1363 (July 1991): 260-261.Notes:
Regarding The Unanswered Question and Central Park in the Dark.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
ap Sion, Pwyll
Year: 2015
Complete Citation:
ap Sion, Pwyll. “American Mavericks.” Gramophone, Vol. 92 (2015): 110-111.Source: Magazine (recording/festival review?)
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Bernheimer, Martin
Year: 1966
Complete Citation:
Bernheimer, Martin. “Impressive Finale for Series.” Los Angeles Times, April 20, 1966, D14.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes:
Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Boody, Charles G; Snell, Margaret
Year: 1971
Complete Citation:
Boody, Charles G; Snell, Margaret. “Minneapolis: The Charles Ives Festival, Spring 1970 - Reflections.” Current Musicology, no. 11 (January 1, 1971): 57.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Borroff, Edith
Year: 1988
Complete Citation:
Borroff, Edith. Review of ‘Internationale Symposium’: “International Symposium on American Music, 1988: Charles Ives and the American Music Tradition up to the Present.” Sonneck Society for American Music Bul-letin 14/2: 69-72.Source: Bulletin/Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Bourdon, Buzz
Year: 2008
Complete Citation:
Bourdon, Buzz. “Dean of Canadian Film Composers Wrote More than 300 Movie Scores.” Globe & Mail, September 23, 2008, S10.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Brody, Charles G.
Year: 1970
Complete Citation:
Charles G. Bordy and Margaret Snell. "The Charles Ives Fest-ival, Spring 1970—Reflections." Current Musicology (May) 11: 57.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes:
In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Cathalena E., Burch
Year: 2009
Complete Citation:
Burch, Cathalena E. “Fest Celebrates ‘Ives/Copland and American Spirit.’” Arizona Daily Star, October 16, 2009.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Chase, Gilbert
Year: 1966
Complete Citation:
Chase, Gilbert. “America’s Music: From the Pilgrims to the Present.” New York: McGraw-Hill Book Company, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts