Image
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.
Bibliography
Genres
Teachout, Terry
Year: 1997
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Thompson, Don
Year: 1970
Complete Citation:
Thompson, Don. “Universe in One Place: A Study of Charles Ives.” In The Yearbook of Discovery, 1970: The Best Creative Work From the Colleges of the United States and Canada, edited by J. Donald Adams, Whit Burnett, and Hallie Burnett. New York, NY: Four Winds Press, 1970.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. American Music since 1910. New York, New York: Holt, Rinehart and Winston, 1971.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Toncitch, Voya
Year: 1973
Complete Citation:
Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Wennerstrom, Mary
Year: 1969
Complete Citation:
Wennerstrom, Mary. Anthology of Twentieth-Century Music. New York, NY: Appleton-Century-Crofts, 1969.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Wilder, Robert D.
Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.Notes:
Includes other passing refer-ences.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Wilder, Robert D. “The Americas: Charles Ives (1874-1954).” In Twentieth-century Music. Dubuque, IA: W.C. Brown Co. Publishers, 1969.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
William R. Martin and Julius Drossin
Year: 1980
Complete Citation:
William R. Martin and Julius Drossin. Music of the twentieth century. Englewood Cliffs, NJ: Prentice-Hall, 1980.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Wilson, Richard
Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Yates, Peter
Year: 1967
Complete Citation:
Yates, Peter. Twentieth-Century Music. London, United Kingdom: Pantheon Books, 1967.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
no author listed
Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1961
Complete Citation:
Siegmeister, Elie. Invitation to Music. Irvington-on-Hudson, NY: Harvey House, 1961.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965-1966
Complete Citation:
Siegmeister, Elie. Harmony and Melody. Belmont, CA: Wadsworth Publishing Co., 1965- 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.Source: Journal
Reprints:
“Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
“Con Nuevas Técnicas Charles Ives Innovó La Música Del Siglo XX.” Notimex, October 19, 2007.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles