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Bibliography

Honegger, Marc

Year: 1970
Complete Citation:
Honegger, Marc. Dictionaire de la musique, 529. Volume 1. Paris, France: Bordas, 1970.
Notes:

A general survey citing major published scores and some bibliographic items. Indicates that the European premieres of selections from Ives's 114 Songs were given in Paris (1931) and Berlin (1932).

Source: Encyclopedia article
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Howard, John Tasker

Year: 1939
Complete Citation:
Howard, John Tasker. “Ives, Charles Edward.” The International Cyclo-pedia of Music and Musicians, edited by Oscar Thompson, 885. New York, NY: Dodd, Mead, & Co., 1939.
Notes:

Approximately a half--column.

Source: Chapter in Book
Reprints:

New, Revised and Enlarged (i.e., Second) Edition, 1943; Third Edition, 1944 (Same as First Edition).<br>Fourth through Eighth Editions, edited by Nicolas Slonimsky, 1946, 1949, 1952, 1956, 1958. Article written by Nicolas Slonimsky; a column and a half on page 885 of each edition.<br>Ninth Edition, edited by Robert Sabin, 1964: 1049--1050.<br>Tenth Edition, edited by Bruce Bohle, 1979: 1087-1091. Article<br>written by Frank Peters.

VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ivashkin, Alexander

Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Iwaschkin, Aleksandr

Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jensen, Jørgen I.

Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Keats, Sheila

Year: 1954
Complete Citation:
Keats, Sheila. “Reference Articles on American Composers: An Index.” Juilliard Review 1 (Fall 1954): 28-29.
Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kirkpatrick, John

Year: 1988
Complete Citation:
Kirkpatrick, John. “Charles Ives.” In The New Grove Twentieth-Century American Masters: Ives, Thomson, Sessions, Cowell, Gershwin, Copland, Carter, Cage, Bernstein. New York, New York: W.W. Norton, 1988.
Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Kolodin, Irving

Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kostelanetz, Richard

Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kramer, Jonathan D.

Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Krull, Kathleen and Kathryn Hewitt

Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kühn, Clemens

Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Levin, Monroe

Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Llloyd, Norman

Year: 1968
Complete Citation:
Lloyd, Norman. “Ives, Charles Edward.” The Golden Encyclopedia of Music. New York, NY: Golden Press, 259-260.
Notes:

For young readers. An in-formative article, with minor errors. Discussion of Ives's Symphony No. 4, photograph, musical example No. 28 (tone clusters in Concord Sonata). Numerous other citations: 60, 126, 251, 473, 661.

Source: Article in Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries

Losh, Seibert

Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles