Slominsky, Nicolas
Year: 1953
Complete Citation:
Slominsky, Nicolas. “Charles Ives, Musical Rebel.” Américas, (September 1953): 41.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2001
Complete Citation:
Slonimsky, Nicolas. “Ives, Charles Edward.” In Baker's Biographical Dic-tionary of Musicians. 8th rev. ed. New York, NY: Schirmer, 2001.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Steiner, George
Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Taylor, Davidson
Year: 1938
Complete Citation:
Taylor, Davidson. “Why Not Try the Air?” Modern Music 15 (January-February, 1938): 87.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Teachout, Terry
Year: 1997
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Thompson, Don
Year: 1970
Complete Citation:
Thompson, Don. “Universe in One Place: A Study of Charles Ives.” In The Yearbook of Discovery, 1970: The Best Creative Work From the Colleges of the United States and Canada, edited by J. Donald Adams, Whit Burnett, and Hallie Burnett. New York, NY: Four Winds Press, 1970.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Toncitch, Voya
Year: 1973
Complete Citation:
Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Wilder, Robert D.
Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.Notes: Includes other passing refer-ences.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Wilson, Richard
Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Young, Percy Marshall
Year: 1954
Complete Citation:
Young, Percy Marshall. A Critical Dictionary of Composers and Their Music. London, United Kingdom: Dennis Dobson Books, 1954.Notes: Claims that the Concord Sonata was given its world premiere at the International Society for Contemporary Music meeting in 1928 at Salzburg. Lists very few Ives works “for per-formance and study.”
Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
no author listed
Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1940
Complete Citation:
“Ives, Charles Edward.” In Baker's Biographical Dictionary of Musi-cians, edited by Nicolas Slonimsky, 545. 4th ed. New York, NY: G. Schirmer.Notes: There was no entry for Ives in the first two editions, 1900 and 1905, edited by Theodore Baker, nor in the Third Edition, 1919, edited by Alfred Remy.
Reprints: 5th ed., 1958: 765--766. 6th ed., 1978: 804--806. 7th ed., revised by Nicolas Slonimsky, 1984: 1092--1095. 8th ed., revised by Nicolas Slonimsky, 1990: 832--833. 9th ed., 2001 (Centennial Edition), 6 volumes. Nicolas Slonimsky, Editor Emeritus; Laura Kuhn, Baker's Series Advisory Editor. “Ives, Charles E.” by Nicolas Slonimsky/Laura Kuhn/Dennis Mclntire, Volume 3: 1683--1685. * Supplements, edited by Nicolas Slonimsky, 1965: 61; 1971: 110.
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1951
Complete Citation:
“Ives, Charles Edward.” In Who is Who in Music, edited by J. T. H. Mize. 5th ed. Chicago, IL: Who is Who in Music, Inc., 1951.Source: Chapter in Book
VII. Entries in Larger Volumes
C. Dictionary Entries
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.Source: Journal
Reprints: “Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles