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Bibliography

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “America Takes a Front Rank in Year’s Modernist Output.” Musical America 41, no. 23 (March 28, 1925): 5, 35.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1931
Complete Citation:
Cowell, Henry. “The Development of Modern Music.” Ohio State Uni-versity Bulletin 36/3 (September 15, 1931): 375--379.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1933
Complete Citation:
Cowell, Henry. “Toward Neo-Primitivism.” Modern Music X, 3 (March-April 1933): 150-153.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1934
Complete Citation:
Cowell, Henry. “Recent Creative Tendencies in American Music.” Sovietskaya Muzyka [Soviet Music] VII (June 1934): 3-19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Crump, Peter

Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cuffiani, Barbara

Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Danuser, Hermann

Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Davies, Hilary W.

Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davis, Joel Scott

Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davies, John Nigel

Year: 1973
Complete Citation:
Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davy, Rebecca Evers

Year: 2008
Complete Citation:
Davy, Rebecca Evers. “The First Piano Sonata of Charles Ives: An Analytical and Historical Study.” Ph.D. diss., University of Southern California, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

De La Motte-Haber, Helga

Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Dosches, Barbara

Year: 1970
Complete Citation:
Dosches, Barbara. “‘Substance’ and ‘Manner’ in the Music of Charles Ives.” D.M.A. document, University of Colorado, 1970.
Source: D.M.A. Document
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Doscher, Barbara M.

Year: 1970
Complete Citation:
Doscher, Barbara M. “”Substance" and "manner" in the music of Charles Ives.” D.M.A. Thesis, University of Colorado, 1970.
Source: D.M.A. Thesis
A. Dissertations

Easter, Stanley Eugene

Year: 1969
Complete Citation:
Easter, Stanley Eugene. “A Study Guide for the Performance of Twent-ieth Century Music from Selected Ballet Repertoires for Trombones and Tuba.” Ed.D. diss., Columbia University, 1969.
Notes:

Dis-cusses (in Chapter III) music for twelve ballets including Ivesiana {E216}, especially Central Park in the Dark, and A Set of Theater Pieces ("In the Inn" and "In the Night").

Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Eiseman, David

Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European Symphonic Tradition: A Historical Reappraisal.” Ph.D. diss., University of Illinois, 1972.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations