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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Eiseman, David

Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European Symphonic Tradition: A Historical Reappraisal.” Ph.D. diss., University of Illinois, 1972.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Evseeva, Marina

Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ewing, James William

Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ewen, David

Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Fairfield, Patrick K.

Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fessel, Pablo

Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.
Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fouse, Kathryn Lea

Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.
Notes:

Chapter 2 cites appearances of surrealism characteristics as defined in this paper.

Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frank, Alan Robert

Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frantz, Donald Howe, Jr.

Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Froelich, Andrew I.

Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gabbi, Marianna Paone

Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gaburo, Kenneth Louis

Year: 1962
Complete Citation:
Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.
Notes:

Chapter IV includes references to music by Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gail, Dorothea

Year: 2008
Complete Citation:
Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gann, Kyle

Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gardner, Kara Anne

Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living by the Ladies' Smiles: The Feminization of American Music and the Modernist Reaction.” Ph.D. diss., Stanford University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gartner, Kenneth Ralph

Year: 1979
Complete Citation:
Gartner, Kenneth Ralph. “The Expansion of Pianism since 1945.” Ph.D. diss., New York University, 1979.
Notes:

Ives is considered in the back-ground discussion of compositional processes of the first half of the twentieth century.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations