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Bibliography

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Joyce, Mary Ann

Year: 1970
Complete Citation:
Joyce, Mary Ann. “The Three-Page Sonata of Charles Ives: An Analysis and a Corrected Version.” Ph.D. diss., Washington University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Katz, David B.

Year: 1999
Complete Citation:
Katz, David B.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kavanaugh, James Vincent

Year: 1978
Complete Citation:
Kavanaugh, James Vincent. “Music and American Transcendentalism: A Study of Transcendental Pythagoreanism in the Works of Henry David Thoreau, Nathaniel Hawthorne and Charles Ives.” Ph.D. diss., Yale University, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kearnes, William Kay

Year: 1965
Complete Citation:
Kearns, William Kay. “Horatio Parker, 1863-1919: A Study of His Life and Music.” Ph.D. Thesis, University of Illinois, 1965.
Source: Ph.D Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kelly, Kevin Oliver

Year: 1988
Complete Citation:
Kelly, Kevin Oliver. "The Songs of Charles Ives and the Cultural Con-text of Death.” Ph.D. dissertation, University of North Carolina, Chapel Hill, 1988.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kinne, William Joseph

Year: 2015
Complete Citation:
Kinne, William Joseph. “The wind band music of Charles Ives: an annotated repertoire list of original works and arrangements.” D.M.A. Thesis, University of Colorado, 2015.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kolodin, Irving

Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kolosick, J. Timothy

Year: 1981
Complete Citation:
Kolosick, J. Timothy. “A Computer-Assisted, Set-Theoretic Investigation of Vertical Simultaneities in Selected Piano Compositions by Charles E. Ives.” Ph.D. diss., University of Wisconsin, Madison, 1981.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kopp, Christina Lee

Year: 2006
Complete Citation:
Kopp, Christina Lee. “‘A School of New Men’: Composing an Ameri- can Identity in the Early Twentieth Century.” Ph.D. diss., Bos-ton University, 2006.
Notes:

Discusses compositions of Aaron Copland, Edward MacDowell, Arthur Farwell, and Charles Ives.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kostelanetz, Richard

Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kramer, Jonathan D.

Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Krull, Kathleen and Kathryn Hewitt

Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kuan, Flora Lu

Year: 1983
Complete Citation:
Kuan, Flora Lu. “The piano etudes of Debussy, Skryabin, and Ives.” D.M.A. diss., University of Colorado, 1983.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kühn, Clemens

Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kumlien, Wendell Clarke

Year: 1969
Complete Citation:
Kumlien, Wendell Clarke. “The Sacred Choral Music of Charles Ives: A Study in Style Development.” D.M.A. diss., University of Illinois, 1969.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lambert, Jay Philip

Year: 1987
Complete Citation:
Lambert, Jay Philip. “Compositional procedures in experimental works of Charles E. Ives.” Ph.D. diss., University of Rochester, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations