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Bibliography

Weber, Paul D.

Year: 1979
Complete Citation:
Weber, Paul D. “Charles Ives and nineteenth century American church music.” M.A. Thesis, Yale University, 1979.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wendt, Rudolph

Year: 1946
Complete Citation:
Wendt, Rudolph. “A study of Charles Ives' second pianoforte sonata "Concord, Mass., 1840-60.” M.M. Thesis, University of Rochester, 1946.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wessel, Frederick T.

Year: 1941
Complete Citation:
Wessel, Frederick T. “A study of the lives and works of three representative American art-song composers.” M.M. thesis, DePauw University, 1941.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Weyer, Waldo Wilhelm

Year: 2004
Complete Citation:
Weyer, Waldo Wilhelm. “Die interpretasie van Charles E. Ives se Concord Sonate volgens sy Essays before a sonata.” M.Mus. Thesis, North-West University, Potchefstroom Campus, 2004.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wiebe, Michael G.

Year: 1998
Complete Citation:
Wiebe, Michael G. “The use and influence of nineteenth-century campmeeting and revival music in the songs of Charles Ives and Aaron Copland.” M.A. Thesis, Boise State University, 1998.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wiens, Carl K.

Year: 1992
Complete Citation:
Wiens, Carl K. “Structural organization in selected songs from Charles Ives's 114 songs.” M.A. thesis, McGill University, 1992.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wiig, John

Year: 1972
Complete Citation:
Wiig, John. “An analysis of transcendental influences in selected choral works of Charles Ives.” M.M. Thesis, Mankato State College, 1972.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wilder, Robert D.

Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.
Notes:

Includes other passing refer-ences.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wiley, Joan Mary

Year: 1981
Complete Citation:
Wiley, Joan Mary. “A comparative analysis of Charles E. Ives' "First Sonata" and "Sonata No. 2”.” M.A. thesis, California State University, 1981.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Willgren, John

Year: 2007
Complete Citation:
Willgren, John. “Charles Ives orkesterverk i Sverige: en receptionshistorisk studie.” Thesis, Stockholms Universitet, Institutionen för musik-och teatervetenskap, 2007.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wirt, Ronald L.

Year: 1976
Complete Citation:
Wirt, Ronald L. “Musical quotation in the works of Charles Ives.” B.A. Thesis, Reed College, 1976.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wong, Justin

Year: 2007
Complete Citation:
Wong, Justin. “A performance approach to Charles Ives' Fourth violin sonata.” M.M. Thesis, California State University, Long Beach, 2007.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wright, Allan

Year: 2007
Complete Citation:
Wright, Allan. “Frank Zappa’s orchestral works: art music or “bogus pomp”?” University of Glasgow, M.M. thesis, 2007.
Notes:

Only one mention of Ives.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Young, Jerry Lee

Year: 1980
Complete Citation:
Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

no author listed

Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.
Source: Journal
Reprints:

“Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles