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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Riedel, Johannes, ed.

Year: 1970
Complete Citation:
Riedel, Johannes, ed. Ives at Minnesota. Minne-apolis, MN: Festival at the University of Minnesota, April-May, 1970.
Source: Program Book for Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rosenfeld, Paul

Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.
Source: Magazine, Book
Reprints:

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex

Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.
Notes:

<a target="_blank" href="http://www.therestisnoise.com/2004/05/charles_ives.html">Avail-able at http://www.therestisnoise.com/2004/05/charles_ives.html.</a&gt;

Source: Web Content/Blog
Reprints:

Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.
Notes:

Several other references. Uses the misquotation of Schoenberg (132) {B0290}.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex and Laurent Slaars

Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossi, Nick

Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.
Notes:

Includes discussion and anal-ysis of second movement of Symphony No. 4.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossiter, Frank R.

Year: 1977
Complete Citation:
Rossiter, Frank R. “Charles Ives: Good American and Isolated Artist.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 16-28. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rostand, Claude

Year: 1970
Complete Citation:
Rostand, Claude. Autour de Charles Ives, 1874-1954: exposition du vendredi 24 avril au samedi 16 mai 1970: Centre culturel américain, 3, rue du Dragon, Paris 6. Paris, France: Centre Culturel Américain, 1970.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Saffle, Michael, ed.

Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Salzman, Eric

Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schoffman, Nach’m

Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schrade, Leo

Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.
Source: Lecture
Reprints:

Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Seeger, Charles

Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Shackelford, Rudy

Year: 1978
Complete Citation:
Shackelford, Rudy. “The Yaddo Festivals of American Music, 1932-1952.” Perspectives of New Music, vol. 17, no. 1 (1978): 92-125.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Sherwood, Gayle

Year: 2005
Complete Citation:
Sherwood, Gayle, chair. “Charles Ives [Panel].” Panel at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Shirley, Wayne

Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Slominsky, Nicolas

Year: 1953
Complete Citation:
Slominsky, Nicolas. “Charles Ives, Musical Rebel.” Américas, (September 1953): 41.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Steiner, George

Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles