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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Heyman, Katherine

Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).
Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Highet, Gilbert

Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.
Source: Chapter in Book
Reprints:

Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hitchcock, H. Wiley

Year: 1974
Complete Citation:
Hitchcock, H. Wiley. “Report on the Charles Ives Centennial Festival-Conference, 17-21 October 1974.” Newsletter - Institute for Studies in American Music 4, no. 1 (Fall 1974): 1.
Source: Newsletter
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “Use Your Ears Like a Man.” Spec-tator 276/8740 (January 20, 1996): 42.
Notes:

Ives is unambigu-ously among the great composers.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Howard, John Tasker

Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hughes, Allen

Year: 1974
Complete Citation:
Hughes, Allen. “Ives Symphony no. 4 is Eloquent End to Philharmonic Festival.” The New York Times, October 14, 1974, 43.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Hughes, Allen. “Ives and Schubert Mini-Festivals Set: Boulez Offers Views Schoenberg ‘Rug’ Concert.” The New York Times, March 6, 1974, 25.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hughes, Edward Dudley

Year: 1996
Complete Citation:
Edward Dudley Hughes. “Dangerous to Know,” review of The Unanswered Question Festival; January 19 to 21: London. Musical Times 137/1838 (April 1996): 28-29.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hume, P.

Year: 1953
Complete Citation:
Hume, P. “Music Festival Introduces Unperformed Ives Symphony.” The Washington Post. April 28, 1953, 33.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Ivashkin, Alexander

Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Iwaschkin, Aleksandr

Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jensen, Jørgen I.

Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kandell, Leslie

Year: 2004
Complete Citation:
Kandell, Leslie. Review of “Charles Ives: An American Original in Context.” American Record Guide 67/5 (September--October 2004): 11--13.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Kandell, Leslie. “All About Ives, The Juilliard School's Focus on Charles Ives.” American Record Guide 67/4 (July--August 2004): 16--17.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kerner, Leighton

Year: 1988
Complete Citation:
Kerner, Leighton. “Ives in the Balance (American Music Festival).” Village Voice, June 7, 1988, sec. 33, 82.
Notes:

Discusses the composition Johnny Poe.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series