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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Brookes, Stephen

Year: 2015
Complete Citation:
Brookes, Stephen. “A Fresh Take on the Rarely Heard Music of Charles Ives.” The Washington Post, November 23, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brown, Geoff

Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives: Three Places in New England: 1F Edition.” Times (London, England), October 12, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Torrent show: Final 1 Edition.” Times (London, England), January 28, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “SFS/Thomas: Final 4 Edition.” Times (London, England), May 12, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Steven Sloane Tinkles the Ives: Final 5 Edition.” Times (London, England), February 28, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brown, Marshall

Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Brown, Peter

Year: 1965
Complete Citation:
Brown, Peter. “Recitals: Ives on a Birthday.” Music and Musicians 14/4 (De-cember 1965): 49, 61.
Notes:

Concert on October 21, 1964 at the American Embassy Theatre in London, United Kingdom. Annon Lee Silver, voice; Ronald Lumsden, piano.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brozan, Nadine

Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, October 31, 1992.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1992
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times. October 31, 1992, 22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Brozan, Nadine. “Chronicle.” The New York Times, May 27, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brozen, Michael

Year: 1968
Complete Citation:
Brozen, Michael. “A Week for Charles Ives: Recitals by Esther Glazer/Easley Blackwood and Alan Mandel.” High Fidelity/Musical America 18/6, June 1968, 17.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Buell, Richard

Year: 1986
Complete Citation:
Buell, Richard. “Finch Gives His all to Ives’ ‘Concord’ Sonata.” Boston Globe, July 29, 1986, 27.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Bullard, Doug

Year: 2005
Complete Citation:
Bullard, Doug. “Neely Bruce and Charles Ives, Reunited: Statewide Edition.” The Hartford Courant, June 23, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Burk, John N.

Year: 1948
Complete Citation:
Burk, John N. “Composer from Connecticut.” In Concert Bulletin of the Boston Symphony Orchestra 67/15 (February 6-7, 1948), 797-798. Boston, MA: Boston Symphony Orchestra, 1948.
Source: Concert Bulletin
Reprints:

Burk, John N. “Composer from Connecticut.” In <i>Concert Bulletin of the Boston Symphony Orchestra </i>67/12<i> </i>(February 13-14, 1948), 870-886; 82/6 (November 2-3 1962), 344, 346, 348, 350-354. Boston, MA: Boston Symphony Orchestra, 1962.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Burkholder, J. Peter

Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

C.H.

Year: 1948
Complete Citation:
C.H. “Joan Field Officers Ives’ First Sonata: Young Violinist also Presents Chausson, Mozart, Bach and Ysaye Works at Town Hall.” The New York Times, October 12, 1948, 32.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cameron, Catherine M.

Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.
Notes:

In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cameron, Michael

Year: 1963
Complete Citation:
Cameron, Michael. “Pianist Hamelin Gives Ives’ Sonata Heartfelt Hearing: Chicago Final Edition.” Chicago Tribune, September 4, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Canning, Hugh

Year: 1931
Complete Citation:
Canning, Hugh. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), September 18, 2005.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cantrell, Scott

Year: 1996
Complete Citation:
Cantrell, Scott. “New Ear Will Present Selections from Composer Charles Ives.” Kansas City Star. January 21, sec. I, 8.
Notes:

Announcement of an all-Ives program given by a contemporary music ensemble at St. Mary’s Episcopal Church, Kansas City. The concert included songs, instrumental pieces (some arranged for this group), and readings from <i>Essays Before a Sonata </i>as “Essays Before an Audience” with various accompaniments.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances