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Bibliography

Pettitt, Stephen

Year: 1931
Complete Citation:
Pettitt, Stephen. “Charles Ives: Final 7 Edition.” Sunday Times (London, England), May 9, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Peyser, Herbert F.

Year: 1932
Complete Citation:
Peyser, Herbert F. “Music in Berlin.” The New York Times. April 17, 1932, sec. 8: 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pincus, Andrew L.

Year: 2007
Complete Citation:
Pincus, Andrew L. “Kalish: ‘Concord,’ Unconquered.” The Berkshire Eagle, October 19, 2007.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pitney, Robert

Year: 1932
Complete Citation:
Pitney, Robert. “Music Chronicle: Yaddo and Gurre.” Hound & Horn 5 (July-September, 1932): 666.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pleibel, Fred

Year: 1968
Complete Citation:
Pleibel, Fred. “Music: Ives Enters LP Mainstream.” Los Angeles Times, December 22, 1968, 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Poole, Elissa

Year: 2004
Complete Citation:
Poole, Elissa. “CLASSICAL.(Charles Ives: Concord Sonata; Songs).” Globe & Mail, August 5, 2004, R4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Porter, Andrew

Year: 1975
Complete Citation:
Porter, Andrew. “Musical Events: The Sounds of Summer.” The New Yorker 51, no. 15 (June 2, 1975): 86-89.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Porter, Cecelia H.

Year: 1967
Complete Citation:
Porter, Cecelia H. “Mandel Plays at National Gallery.” The Washington Post and Times Herald, May 2, 1967, D11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Poteete, Robert A.

Year: 1954
Complete Citation:
Poteete, Robert A. “Jew's Harp Call Draws 24 Players.” New York Herald Tribune, February 17, 1954, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Potter, Keith

Year: 1998
Complete Citation:
Potter, Keith. “Classical: Sadly Second Rate Charles Ives Bournemouth SO Poole: Final Edition.” The Independent, December 15, 1998.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Prunières, Henry

Year: 1931
Complete Citation:
Prunières, Henry. “American Composers in Paris.” The New York Times, July 12, 1931, 6, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Prunières, Henry. “American Compositions in Paris.” The New York Times. July 12, 1931, sec. 8, 6.
Source: Newspaper
Reprints:

Prunières, Henry. “American Compositions in Paris.” Translated by Frank R. Rossiter. <i>Charles Ives and His World</i>.<i> </i>Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rákai, Zsuzsanna

Year: 2014
Complete Citation:
Rákai, Zsuzsanna. “Hangverseny: Ránki, Keller, Concerto Budapest.” Muzsika, Vol. 57, No. 6 (2014): 46-47.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ramey, Corinne

Year: 2014
Complete Citation:
Ramey, Corinne. “Arts & Entertainment: Giving a Hat Tip to an American Original --- Society Re-Creates Studio of Charles Ives.” The Wall Street Journal, March 4, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Raven, Seymour

Year: 1959
Complete Citation:
Raven, Seymour. “Music of Ives Ends Ravinia’s Concert Phase: Hendl Conductor for a Crowd Pleaser.” Chicago Daily Tribune, August 9, 1959, 16.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Raynor, Henry

Year: 1966
Complete Citation:
Raynor, Henry. “Miscellany.” Music Review 27/4 (1966): 331.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances