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Bibliography

Cohn, Arthur

Year: 1940
Complete Citation:
Cohn, Arthur. “Americans at Rochester.” Modern Music 17/4 (May-June 1940): 55-58.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Cohn, Arthur. “Alan Mandel Plays All Twenty-Seven of the Piano Works of Ives.” The American Record Guide 35 no. 7 (March 1969): 548-549.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1970
Complete Citation:
Cohn, Arthur. “Playing and Conducting that Simply Could Not Be Bettered.” American Record Guide 37, no. 3 (November 1970): 148-151.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cole, Hugo

Year: 1979
Complete Citation:
Cole, Hugo. “The Musical Scene: Mountains and Sponge Cakes.” Country Life 165, no. 4256, (February 1, 1979): 278.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Commanday, Robert

Year: 1989
Complete Citation:
Commanday, Robert. “Adventurous Night for San Jose.” San Francisco Chronicle. November 20, 1989, sec. F, 2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Conn, Peter

Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Copland, Aaron

Year: 1958
Complete Citation:
Copland, Aaron. “The Twentieth Century: Reorientation and Experi-ment.” Music and Western Man, edited by Peter Garvie, 285-286. London, United Kingdom: J.M. Dent, 1958.
Notes:

A brief overview of Ives, with brief discography.

Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Cott, Jonathan

Year: 1974
Complete Citation:
Cott, Jonathan. “Charles Ives, Musical Inventor.” The New York Times, Octo-ber 20, 1974, sec. D, 21, 26.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Courtney, Marian

Year: 1989
Complete Citation:
Courtney, Marian. “Pianist with Many Talents and a Mission.” The New York Times, May 14, 1989, section XII, 10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowan, Angela

Year: 2015
Complete Citation:
Cowan, Angela. “Keeping the Home Fires Burning.” Peninsula News Review, May 3, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowan, Robert

Year: 1996
Complete Citation:
Cowan, Robert. “Classical BBC Charles Ives Festival Barbican Centre, London; 'A Radical Avant-Gardist, a Showman and an Introvert, Responsive to Vocal Polish Yet Maddeningly Inscrutable.’” The Independent, January 24, 1996, 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “America Takes a Front Rank in Year’s Modernist Output.” Musical America 41, no. 23 (March 28, 1925): 5, 35.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1930
Complete Citation:
Cowell, Henry. “Batons are Scepters.” The New Freeman 1/16, July 2, 1930, 374-376.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Cowell, Henry. “The Development of Modern Music.” Ohio State Uni-versity Bulletin 36/3 (September 15, 1931): 375--379.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1931
Complete Citation:
Henry Cowell. “Music.” Americana Annual: An Encyclopedia of Current Events (1931): 513.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events, 1932, 486-487. New York, NY: Grolier, 1932.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Cowell, Henry. “Music.” Americana Annual: An Encyclopedia of Current Events (1933): 517.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Cowell, Henry. “Toward Neo-Primitivism.” Modern Music X, 3 (March-April 1933): 150-153.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1934
Complete Citation:
Cowell, Henry. “Recent Creative Tendencies in American Music.” Sovietskaya Muzyka [Soviet Music] VII (June 1934): 3-19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1935
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events (1935), 473-474.
Source: Encyclopedia
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances