Bermúdez, Santiago Martín
Year: 2012
Complete Citation:
Bermúdez, Santiago Martín. “Discos: Ives, incandescente.” Scherzo: Revista de Música, Vol. 27 (2012): 59.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Boissard, Bertrand
Year: 2014
Complete Citation:
Boissard, Bertrand. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2014): 91-92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Briggs, J.
Year: 1954
Complete Citation:
Briggs, J. “Records: Works by Scriabin and Ives.” The New York Times, May 23, 1954, X6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Brown, Geoff
Year: 2011
Complete Citation:
Brown, Geoff. “Classical Hilary Hahn Ives Sonatas.” The Times (London, England), December 2, 2011, 45.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Buerkle, Brian
Year: 2012
Complete Citation:
Buerkle, Brian “Collections: Oregon Symphony - “Music for a Time of War” (PentaTone).” American Record Guide, Vol. 75, No. 2 (2012): 180-181.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Burton, Anthony
Year: 2016
Complete Citation:
Burton, Anthony. “CD Review: Ives Symphonies 3 and 4.” BBC Music Magazine Vol. 24, No. 9 (2016): 76.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2016
Complete Citation:
Burton, Anthony. “CD Review: Ives: A Symphony.” BBC Music Magazine, Vol. 24, No. 7 (2016): 118.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Calloway, Earl
Year: 1974
Complete Citation:
Calloway, Earl. “Solti Puts New Life into Work of Ives.” Chicago Defender. 1974: A11.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes: In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Carl, Robert
Year: 2002
Complete Citation:
Carl, Robert. “Ives: “3 Places in New England,” Ruggles: “Sun-Treader,” Piston: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 1 (2002): 282-283.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Chakwin, Stephen D. Jr.
Year: 2004
Complete Citation:
Chakwin, Stephen D. Jr. “Guide to Records: Ives - “Symphony 1; Emerson Concerto.” American Record Guide, Vol. 67, No. 2 (2004): 140-141.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Chase, Gilbert
Year: 1966<br>
Complete Citation:
Chase, Gilbert. “Symphony No. 4.” Anuário, vol. 2 (1966): 169.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Citkowitz, Israel
Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).Source: Journal
Reprints: Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Clarke, Andrew
Year: 2004
Complete Citation:
Clarke, Andrew. “CLASSICAL: NEW RELEASES: Final Edition.” The Independent (London, England), May 22, 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clarke, Colin
Year: 2009
Complete Citation:
Clarke, Colin. “Classical Recordings: Nielsen - Suite, “Luciferian”; McDonald - “Meditation before a Sonata: Dew Cloth, Dream Drapery”; Ives - Piano Sonata No. 1.” International Musician, Vol. 107, No. 7 (2009): 219-220.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Clarke, Gary E.
Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles