Image
decorative banner image

Bibliography

Jensen, Jørgen I.

Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jepson, Barbara

Year: 2019
Complete Citation:
Jepson, Barbara. “Composers Who found Inspiration in the Vernacular; Michael Tilson Thomas and the San Francisco Symphony Offer a New Recording of Charles Ives Music; Violinist Rachel Barton Pine Plays Concertos by Antonín Dvořák and Aram Khachaturian.” The Wall Street Journal, November 13, 2019.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson, Bret

Year: 2009
Complete Citation:
Johnson, Bret. “CD Reviews: Corigliano; Jones; Giannini; Schuller; Daugherty; “Abraham Lincoln Portraits.”” Tempo, Vol. 63 (2009): 86-88.
Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson, Lawrence A.

Year: 2005
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: “Universe Symphony (Ed. Reinhard).”” Gramophone, Vol. 83 (2005): A7.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Johnson, Lawrence A. “North America: Reviews - Ives: Symphony, “Holidays”; “The General Slocum”; Overture in G Minor; “Yale-Princeton Football Game”; Postlude in F Minor.” Gramophone, Vol. 87 (2010): A7-A8.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson, Lawrence B.

Year: 1996
Complete Citation:
Johnson, Lawrence B. “Finding the Poetry Amid Ives’s Hurly-Burly.” The New York Times. August 25, 1996, sec 2: 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jolly, James

Year: 1985
Complete Citation:
Jolly, James. “Encounters with Ives.” Gramophone 63/748 (September 1985): 311.
Notes:

Discussion of Ives’s Symphony No. 4 on the occasion of the re- issue of RCA recording on Chandos.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Jolly, James. “Soundwaves: Tune Surfing.” Gramophone, Vol. 88 (2010): 134-135.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kandell, Leslie

Year: 2004
Complete Citation:
Kandell, Leslie. “Getting Around to Ives - The NY Phil: Later than Some, But Catching Up.” American Record Guide, Vol. 67, No. 5 (2004): 11-13.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2009
Complete Citation:
Kandell, Leslie. “Life in the Eye - Tanglewood: Music to Look At”. American Record Guide, Vol. 72, No. 6, (2009): 16-17.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Karrel, John

Year: 1974
Complete Citation:
Karrel, John. “‘Musical Meeting’ on Ives Draws Many.” The Hartford Courant, August 18, 1974, A2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kart, Larry

Year: 1979
Complete Citation:
Kart, Larry. “Two Explosive Albums Emit Shattering Waves of Sound.” Chicago Tribune, May 27, 1979, G6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kastendieck, Miles

Year: 1946
Complete Citation:
Kastendieck, Miles. “Music Critics Circle Awards.” Christian Science Monitor. July 5, 1946: 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Keats, Sheila

Year: 1955
Complete Citation:
Keats, Sheila. “American Music on LP Records: An Index,” Part II. Juilliard Review 2/2 (Spring 1955): 31-43.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kelly, Kevin

Year: 2011
Complete Citation:
Kelly, Kevin. “Recording Reviews: Charles Ives - “The Light That Is Felt: Songs of Charles Ives”.” Journal of the Society for American Music, Vol. 5, No. 2 (2011): 283-285.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kendall, Blanche and Marguerite Kelly Kyle

Year: 1947
Complete Citation:
Kendall, Blanche and Marguerite Kelly Kyle. “Music of the Moment.” Pan Pipes 40/2 (December 1947): 126--129.
Notes:

Cited among the several dozen newly -issued scores are Ives's two songs: Evening and Walking.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews