Image
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.
Bibliography
Genres
Sandow, Greg
Year: 2000
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Sawer, David
Year: 1999
Complete Citation:
Sawer, David. “20th Century Masterworks: Charles Ives, “The Unanswered Question.”” BBC Music Magazine, Vol. 7, No. 9 (1999): 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Scherer, Barrymore Laurence
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schoffman, Nach’m
Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schonberg, Harold
Year: 1956
Complete Citation:
Schonberg, Harold. “Records: Ives: The Four Violin Sonatas Played by Druian Makes it Sing Conducts Janacek.” The New York Times, July 15, 1956, 72.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schonberg, Harold C.
Year: 1954
Complete Citation:
Schonberg, Harold C. “Records American: Ives’ Second Symphony is Strong Native Work.” The New York Times, June 27, 1954, X8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1956
Complete Citation:
Schonberg, Harold C. “Records: Ives. The Four Violin Sonatas Played by Drurian.” The New York Times, July 15, 1956, sec. 2, 8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.Source: Lecture
Reprints:
Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schwarz, K. Robert
Year: 1991
Complete Citation:
Schwarz, K. Robert. “Recitals & Collections -- George Crumb’s Black Angels, Charles Ives’ They Are There!, Shostakovich’s Quartet No. 8 in C minor and Tallis’ Spem in Alium performed by the Kronos Quartet.” Musical America, Vol. 111, No. 2 (1991): 92.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schwarz, Robert K.
Year: 1985
Complete Citation:
Schwarz, Robert K. “Reviews: Symphony No.3; Orchestral Set No. 2.” High Fidelity/Musical America 35, no. 8 (August 1985): 62.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Schweitzer, Vivien
Year: 2009
Complete Citation:
Schweitzer, Vivien. “The Light that is Felt: Songs of Charles Ives.” The New York Times, January 18, 2009, AR25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Scott, Fred
Year: 1974
Complete Citation:
Scott, Fred. “Ives’ Sonatas.” The Washington Post, October 21, 1974, B9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Seeger, Charles
Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Serebrier, José
Year: 1974
Complete Citation:
Serebrier, José. “Ives the Most Difficult Ever.” Music Journal 32. no. 7 (September 1974): 14-15.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Ives for Orchestra.” The Instrumentalist 29 (February 1975): 40-41.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives—A Composer For All Directions.” Stereo Review 35, no. 1 (July 1975): 48-51.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives.” Stereo Review (1975): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Serebrier, José and John Kirkpatrick
Year: 1974
Complete Citation:
Serebrier, José, and John Kirkpatrick. “Charles Ives’ Fourth.” Symphony News 25, no. 5 (1974), 11-12.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Shirley, Wayne
Year: 1967
Complete Citation:
Shirley, Wayne. “Ives’s ‘Holidays': A Glorious ‘Fourth,’ and No Anticli-max.” High Fidelity/Musical America 17/9, September 1967, 79-80.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Shirley, Wayne. “The Challenge of Ives Brings a New Round of Chal-lengers.” High Fidelity/Musical America 18/6, June 1968, 80-81.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews