Eberson, Sharon
Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Edwards, Maurice
Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.Notes: Several citations and comments regarding performances of Ives’s music.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ericson, Raymond
Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ewen, David
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Fine, Elaine
Year: 2007
Complete Citation:
Fine, Elaine. “Collections: “American Violin.”” American Record Guide, Vol. 70, No. 2 (2007): 208.Source: Magazine
D. Reviews
Gann, Kyle
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Gilmore, Bob
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes: Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Goldner, Nancy
Year: 1975
Complete Citation:
Goldner, Nancy. “Dance.” The Nation 220/19 (May 17, 1975): 603--604.Notes: Scherzo: Over the Pavements and Hallowe’en “seem to be lost for good. ... [I]t virtually introduced the great composer to a wide public.”
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Goldner, Nancy. “A Robbins Ballet Debuts in New York.” The Philadelphia Inquirer, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
H, J. S.
Year: 1954
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Hayford, Justin
Year: 2014
Complete Citation:
Hayford, Justin. “Charles Ives Take Me Home.” Reader, May 29, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Hecht, Roger
Year: 2001
Complete Citation:
Hecht, Roger. “Schumann: “Violin Concerts”; “New England Triptych”; Ives: “Variations on America.” American Record Guide, Vol. 64, No. 5 (2001): 199-200.Source: Magazine
D. Reviews
Year: 2006
Complete Citation:
Hecht, Roger. “Collections: “Experimentations on a March.”” American Record Guide, Vol. 69, No. 6 (2006): 240-241.Source: Magazine
D. Reviews
Year: 2010
Complete Citation:
Hecht, Roger. “Videos - Ives: “Holidays Symphony.”” American Record Guide, Vol. 73, No. 2 (2010): 260-261.Source: Magazine (video review)
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews
Herzfeld, Gregor
Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hesselink, Paul and Frieda Myers
Year: 1991
Complete Citation:
Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Heyman, Katherine
Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.Source: Chapter in Book
Reprints: Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hitchcock, H. Wiley
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles