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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gann, Kyle

Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gilmore, Bob

Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gizzi, Peter

Year: 1998
Complete Citation:
Gizzi, Peter. “Decoration Day.” In Artificial Heart. Providence, RI: Burning Deck, 1998.
Source: Poem
XIII. Ives in Literature
A. Poetry

Glinsky, Albert

Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.
Notes:

Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Herzfeld, Gregor

Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hesselink, Paul and Frieda Myers

Year: 1991
Complete Citation:
Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Heyman, Katherine

Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).
Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Highet, Gilbert

Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.
Source: Chapter in Book
Reprints:

Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hirsch, Edward

Year: 1986
Complete Citation:
Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” The Geor-gia Review.
Source: Poem
Reprints:

Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” In <i>Wild Gratitude</i>. Knopf Poetry Series, 21. New York, NY: Alfred A. Knopf, 1986: 30--33.

XIII. Ives in Literature
A. Poetry

Hitchcock, H. Wiley

Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hoffman, Daniel

Year: 1970
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Broken Laws. New York, New York: Oxford University Press, 1970.
Source: Poem
Reprints:

Reprint: Beyond Silence: Selected Shorter Poems, 1948-2003. Baton Rouge: Louisiana State University Press, 2003: 181.

XIII. Ives in Literature
A. Poetry
Year: 1977
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Able was I ere I saw Elba: selected poems, 1954-74. London, United Kingdom: Hutchinson, 1977.
Source: Poem
XIII. Ives in Literature
A. Poetry

Holmes, Janet

Year: 2001
Complete Citation:
Holmes, Janet. “Humanophone.” In Humanophone, 46-52. Notre Dame, IN: Univer-sity of Notre Dame Press, 2001.
Source: Poem in Book
XIII. Ives in Literature
A. Poetry

Houston, Peyton

Year: 1975
Complete Citation:
Houston, Peyton. “Concord: In Memory of C. I.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 327--328.
Source: Poem
XIII. Ives in Literature
A. Poetry

Howard, John Tasker

Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ivashkin, Alexander

Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Iwaschkin, Aleksandr

Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jaffin, David

Year: 2013
Complete Citation:
Jaffin, David. “Charles Edward Ives.” In Light sources: poems. Bristol, United Kingdom: Shearsman Books, 2013.
Source: Poem
XIII. Ives in Literature
A. Poetry

Jensen, Jørgen I.

Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Ronald

Year: 1975
Complete Citation:
Johnson, Ronald. “Charles Ives: Two Eyes, Two Ears.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 345-349.
Source: Journal
XIII. Ives in Literature
A. Poetry