Image
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Bibliography
Genres
Nimczik, Ortwin
Year: 1996
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
O’Grady, Terence J.
Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Obert, Simon
Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Oja, Carol J.
Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Oliphant, Dave
Year: 2004
Complete Citation:
Oliphant, Dave. “The Pilgrimage.” In Backtracking, 119--122. Austin, TX: Host Publi-cations, 2004.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Ostriker, Alicia
Year: 2009
Complete Citation:
Ostriker, Alicia. “A theme for Charles Ives.” In The Book of Seventy. Pittsburgh, PA: University of Pittsburgh Press, 2009.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Overmyer, Grace
Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.Notes:
An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Peyser, Joan
Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Piekut, Benjamin
Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Price, Jonathan
Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way Up the Mountain.” Yale Alumni Maga-zine (April 1968).Source: Poem in Magazine
Reprints:
Price, Jonathan. “The Rough Way Up the Mountain.” <i>Music Educators Journal</i> 55/2 (October 1968): 38--45.
XIII. Ives in Literature
A. Poetry
A. Poetry
Rebner, Wolfgang Edward
Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Revell, Donald
Year: 2002
Complete Citation:
Revell, Donald. “Arcady: ives.” Arcady: Poems, 44. Middleton, CT: Wesley-an University Press, 2002.Notes:
Also notice the last line of his poem im- mediately prior on page 43: "Key to the music of Ives is confluence." The summary on the back cover states that this collection of poems "draw its influence from Charles Ives and Henry David Thoreau."
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 2016
Complete Citation:
Revell, Donald. “Charles Ives at the Spinet.” The Massachusetts Review, vol. 57 no. 4, (2016): 708-708.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Rosenfeld, Paul
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.Source: Magazine, Book
Reprints:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Ross, Alex
Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.Notes:
<a target="_blank" href="http://www.therestisnoise.com/2004/05/charles_ives.html">Avail-able at http://www.therestisnoise.com/2004/05/charles_ives.html.</a>
Source: Web Content/Blog
Reprints:
Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.Notes:
Several other references. Uses the misquotation of Schoenberg (132) {B0290}.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Ross, Alex and Laurent Slaars
Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Rossi, Nick
Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.Notes:
Includes discussion and anal-ysis of second movement of Symphony No. 4.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles