Rukeyser, Muriel
Year: 1939
Complete Citation:
Muriel Rukeyser. "Ives." A Turning Wind. New York: Viking Press, 1939: 115--120. Reprints: Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'"Source: Poem
Reprints: Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'" Muriel Rukeyser. Selected Poems. New York: New Directions, 1951: 62--63: "from Ives.” Untune the Sky; Poems of Music and Dance, compiled by Helen Plotz. New York: Thomas Y. Crowell Company, 1957: "This is Charles Ives" (an excerpt from "Ives"). Muriel Rukeyser. Waterlily. Fire, Poems 1935--1962. New York: Macmillan Company, 1962: 68--71. A Muriel Rukeyser Reader, edited by Jan Heller Levi; introduction by Adrienne Rich. New York: W. W. Norton, 1995: 65--66: "from Charles Ives.”
XIII. Ives in Literature
A. Poetry
Year: 1939
Complete Citation:
Rukeyser, Muriel. “Ives.” In A Turning Wind, 115-120. New York, New York: Viking Press, 1939.Source: Poem
XIII. Ives in Literature
A. Poetry
Saffle, Michael, ed.
Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Salzman, Eric
Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Scherer, Barrymore Laurence
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Schevill, James Erwin
Year: 1996
Complete Citation:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In The Complete American Fantasies. Athens, OH: Swallow Press/Ohio University Press, 1996: 17--19.
Source: Poem in Book
Reprints: Schevill, James Erwin. “Hats and Ears for Charles Ives.” In <i>New and Selected Poems</i>, 103-105. Athens, OH: Swallow Press/Ohio University Press, 2000.
XIII. Ives in Literature
A. Poetry
Schoffman, Nach’m
Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.Source: Lecture
Reprints: Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Seeger, Charles
Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Sérgio Luiz Rodrigues Medeiros
Year: 2008
Complete Citation:
Medeiros, Sérgio Luiz Rodrigues. Tótem & sacrificio: (poemas o prosas). Translated to Spanish by Douglas Diegues, Cristino Bogado, y Bernarda Acosta. Asunción, Paraguay: Yiyi Jambo, 2008.Source: Book (of poems)
XIII. Ives in Literature
A. Poetry
Shirley, Wayne
Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Slominsky, Nicolas
Year: 1953
Complete Citation:
Slominsky, Nicolas. “Charles Ives, Musical Rebel.” Américas, (September 1953): 41.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Steiner, George
Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Swan, Christopher
Year: Year unlisted
Complete Citation:
Swan, Christopher. “Poem After Hearing Charles Ives’ Concord Sonata.” Publisher and year unlisted.Source: Poem
XIII. Ives in Literature
A. Poetry
Taylor, Davidson
Year: 1938
Complete Citation:
Taylor, Davidson. “Why Not Try the Air?” Modern Music 15 (January-February, 1938): 87.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Teachout, Terry
Year: 1997
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Thompson, Don
Year: 1970
Complete Citation:
Thompson, Don. “Universe in One Place: A Study of Charles Ives.” In The Yearbook of Discovery, 1970: The Best Creative Work From the Colleges of the United States and Canada, edited by J. Donald Adams, Whit Burnett, and Hallie Burnett. New York, NY: Four Winds Press, 1970.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Toncitch, Voya
Year: 1973
Complete Citation:
Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Waldrep, G.C.
Year: 2009
Complete Citation:
Waldrep, G.C. “Who is Charles Ives.” In Archicembalo: Poems. North Adams, MA: Tupelo Press, 2009.Source: Chapter in Book
XIII. Ives in Literature
A. Poetry
