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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
(-) XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Crump, Peter

Year: 1965
Complete Citation:
Crump, Peter. “Ives, Then and Now: A Note on Originality and the Establishment.” Composer: The Journal of the Composers' Guild of Great Britain (October 1965) 17: 12-13.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Danuser, Hermann

Year: 1993
Complete Citation:
Danuser, Hermann. Gegen-Traditionen der Avantgarde. In Amerikanische Musik seit Charles Ives, 101-112. Lilienthal, Germany: Laaber-Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1997
Complete Citation:
Danuser, Hermann. “On postmodernism in music.” International postmodernism: theory and literary practice (February 1997): 157-166.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Davis, David M., producer/director; Aaron Copland, host/writer

Year: 1965
Complete Citation:
Davis, David M., producer/director; Copland, Aaron host/writer. “Experi-mental Attitudes (I).” Music of the Twenties series, Program 11. National Educational Television, 30 minutes. June 6, 1965.
Notes:

Originally telecast on over Performances of The Unanswered Question (Roger Voisin, trumpet, four flutes, Cambridge Festival Orchestra; Aaron Copland, conductor; Kalman Novak, associate conductor), and Two Little Flowers', Serenity, and Charlie Rutlage (Donald Gramm, baritone; Richard Cumming, piano). Viewing copy in Library of Congress.

Source: Telecast
Reprints:

Rebroadcast on Boston, MA: WGBH-TV, 30 minutes.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

De La Motte-Haber, Helga

Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Dingle, Christopher

Year: 2013
Complete Citation:
Dingle, Christopher. “DVD and Blu-Ray Review: From the New World.” BBC Music Magazine, Vol. 22, No. 2 (2013): 104.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Discussion by Morton Gould (nar-rator), Henry Cowell, Corinne Curry, and Harold Farberman.

Complete Citation:
“Charles Ives: American Original.” The World Of Music Series. Program No. 17. Newark, NJ: WNDT, 30 minutes. 1965.
Source: Telecast
Reprints:

Rebroadcast on National Educational Television.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Englander, Roger, producer/director; Leonard Bernstein, narrator/conductor

Year: 1961
Complete Citation:
Roger Englander, producer/director; Leonard Bernstein, narrator/con-ductor.. Folk Music in the Concert Hall. Sony Classical Video Music Education, 1993. From CBS-TV telecast, 1961 April 9 {E283}. Also available on DVD. Includes 5th movement from Ives's Symphony No. 2.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Englander, Roger, producer/director - Leonard Bernstein, narrator/conductor.

Year: 1961
Complete Citation:
Englander, Roger, producer/director; Bernstein, Leonard, narrator/conductor. “Folk Music in the Concert Hall.” New York, NY: CBS-TV Telecast, April 9, 1961.
Notes:

Includes 5th movement from Ives Symphony No. 2.

Source: Telecast
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ewen, David

Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gann, Kyle

Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gilmore, Bob

Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Glinsky, Albert

Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.
Notes:

Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Goodman, Hal

Year: 1987
Complete Citation:
Goodman, Hal. "Home Video: Music." The New York Times (1987 November 1) 2: 38.
Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Hampson, Thomas

Year: 2000
Complete Citation:
Thomas Hampson: I Hear America Singing. West Long Branch, NJ: Kultur International Films, Ltd., 2000. Color videocassette 1486, 90 minutes.
Notes:

From program from New York, Town Hall; originally telecast on Great Performances on Public Broadcasting System {E296}.

Source: Videocassette
XV. Television Broadcasts, Films, and Videocassettes
C. Videocassettes

Hecht, Roger

Year: 2010
Complete Citation:
Hecht, Roger. “Videos - Ives: “Holidays Symphony.”” American Record Guide, Vol. 73, No. 2 (2010): 260-261.
Source: Magazine (video review)
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews