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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

De La Motte-Haber, Helga

Year: 1997
Complete Citation:
De La Motte-Haber, Helga. “Klang im Raum-Räume aus Klang.” Musik und Kirche, Vol. 67, No. 1 (1997): 2-6.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Erskine, Halley

Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.
Source: Photograph
Reprints:

The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]

XVI. Photographs and Artwork
A. Photographs

Ewen, David

Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Friedlander, Lee

Year: 1960
Complete Citation:
Friedlander, Lee. Ives Country. 1960. In Charles Ives: Symphony No. 2. Columbia, KS 6155, 1960, 33.3 RPM.
Source: Photograph
Reprints:

Taken for Columbia record shows many scenes around the Ives home in West Redding, CT. [No original photographs of Ives.]

XVI. Photographs and Artwork
A. Photographs

Gann, Kyle

Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gerratana, Frank

Year: 1947
Complete Citation:
Gerratana, Frank. Mr. and Mrs. Ives (she is holding a cat, “Christophina”). May, 1947. Photograph. Bridgeport Herald, May 11, 1947, 1.
Source: Photograph
Reprints:

Bettman Archive, page 14808. * <i>Music Journal</i> 24/3 (March 1966): 46.

XVI. Photographs and Artwork
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives by a window. May, 1947. Photograph. Charles Ives: Symphony No. 2. Columbia ML 6289/MS 6889, 33.3 RPM (1960).
Source: Photograph
Reprints:

Postcard by Fotofolio (ca. 2006).

XVI. Photographs and Artwork
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives in front of a bookcase. May, 1947. Photograph. Bettman Archive, p. 11320.
Notes:

At the time Gerratana was photographer for the Bridgeport (CT) Herald.

Source: Photograph
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>, frontispiece. New York, NY: Oxford University Press, 1966.

XVI. Photographs and Artwork
A. Photographs

Gilmore, Bob

Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gilmore, Earl

Year: 1974
Complete Citation:
Gilmore, Earl. Collection of over 500 slides. 1970.
Source: Photograph
Reprints:

See announcement “Gilmore’s Ives Slides on Sept. 15.” Redding [CT] Pilot (1974 September 5): 10. Portraying Ives’s life. [No original photographs of Ives.] Shown numerous times.

XVI. Photographs and Artwork
A. Photographs

Glinsky, Albert

Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.
Notes:

Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Herzfeld, Gregor

Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hesselink, Paul and Frieda Myers

Year: 1991
Complete Citation:
Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Heyman, Katherine

Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).
Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Highet, Gilbert

Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.
Source: Chapter in Book
Reprints:

Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Hitchcock, H. Wiley

Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles