Kramer, Norman
Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).Notes: A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.
Source: Poster
XVI. Photographs and Artwork
B. Artwork
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kueffer, Bruce
Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.Source: Sculpture
XVI. Photographs and Artwork
B. Artwork
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Levine, David
Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.Notes: Printed by Stephen Sholinsky.
Source: Etching
XVI. Photographs and Artwork
B. Artwork
Levin, Monroe
Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Losh, Seibert
Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Lucier, Alvin
Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
[Maloy?], Carl
Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
McHard, James L.
Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
McNeely, Tom
Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.Notes: Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.
Source: Watercolor
XVI. Photographs and Artwork
B. Artwork
Meyer, Leonard B.
Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Miller, Sarah Bryan
Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.Notes: An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Nimczik, Ortwin
Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Norkin, Sam
Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.Notes: After the photograph by W. Eugene Smith.
Source: Magazine
XVI. Photographs and Artwork
B. Artwork
O’Grady, Terence J.
Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Obert, Simon
Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Oja, Carol J.
Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles