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Bibliography

Banyai, Istvan

Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Betz, Marianne

Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Bower, Tim

Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.
Source: Caricature
Reprints:

Reproduced: announcement for an American Composers Orchestra concert.

XVI. Photographs and Artwork
B. Artwork

Breger, Leonard

Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.
Notes:

Includes a likeness of Ives.

Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork

Brotman, Adolf E.

Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.
Notes:

Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Chandler, Bruce

Complete Citation:
Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.
Source: Woodcut portrait
XVI. Photographs and Artwork
B. Artwork

Cober, Alan E.

Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Dattel, Michel

Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).
Notes:

“A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”

Source: Mixed media
XVI. Photographs and Artwork
B. Artwork

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Dolbin, Benedikt bred

Complete Citation:
Dolbin, Benedikt bred. Sketch. Eastern Underwriter.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork

Drosd, Nancy

Complete Citation:
Drosd, Nancy. Caricature, 1972. High Fidelity/Musical America 24/10 (October 1974): cover and on the magazine’s advertisements for subscriptions.
Notes:

Based on the Adolf E. Brotman sketch and/or a photograph by Halley Erskine.

Source: Illustration
Reprints:

Peer International Corporation for Ives brochures

XVI. Photographs and Artwork
B. Artwork

Elkus, Jonathan

Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Fischer-Dischau, Dietrich

Year: 2001
Complete Citation:
Fischer--Dischau, Dietrich. “5. Wortfestival in Lippstadt. 2001.” Item 33; oil painting.
Notes:

Based on the Halley Erskine photograph.

Source: Painting
XVI. Photographs and Artwork
B. Artwork

Hamilton, William

Year: 1974
Complete Citation:
William Hamilton. Cartoon, 1974. New Yorker 50/34 (October 14, 1974): 44.
Source: Cartoon
XVI. Photographs and Artwork
B. Artwork

Hassard, Ray

Complete Citation:
Hassard, Ray. “Illustration in the form of a baseball card.” American Record Guide 54/4 (July/August 1991): 69.
Notes:

Based on a photo-graph by W. Eugene Smith.

Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Herring, Mark

Year: 2004
Complete Citation:
Herring, Mark. Collage, 2004. BBC Music Magazine 12/10, June 2004, 48.
Source: Collage
XVI. Photographs and Artwork
B. Artwork