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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Banyai, Istvan

Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Bond, Victoria

Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Bower, Tim

Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.
Source: Caricature
Reprints:

Reproduced: announcement for an American Composers Orchestra concert.

XVI. Photographs and Artwork
B. Artwork

Breger, Leonard

Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.
Notes:

Includes a likeness of Ives.

Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork

Brotman, Adolf E.

Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.
Notes:

Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Chandler, Bruce

Complete Citation:
Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.
Source: Woodcut portrait
XVI. Photographs and Artwork
B. Artwork

Cober, Alan E.

Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Cowell, Henry

Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Darter, Tom

Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Dattel, Michel

Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).
Notes:

“A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”

Source: Mixed media
XVI. Photographs and Artwork
B. Artwork

de Mare, Anthony

Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Dolbin, Benedikt bred

Complete Citation:
Dolbin, Benedikt bred. Sketch. Eastern Underwriter.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork

Drosd, Nancy

Complete Citation:
Drosd, Nancy. Caricature, 1972. High Fidelity/Musical America 24/10 (October 1974): cover and on the magazine’s advertisements for subscriptions.
Notes:

Based on the Adolf E. Brotman sketch and/or a photograph by Halley Erskine.

Source: Illustration
Reprints:

Peer International Corporation for Ives brochures

XVI. Photographs and Artwork
B. Artwork

Fischer-Dischau, Dietrich

Year: 2001
Complete Citation:
Fischer--Dischau, Dietrich. “5. Wortfestival in Lippstadt. 2001.” Item 33; oil painting.
Notes:

Based on the Halley Erskine photograph.

Source: Painting
XVI. Photographs and Artwork
B. Artwork

Goldstein, Malcolm

Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Hamilton, William

Year: 1974
Complete Citation:
William Hamilton. Cartoon, 1974. New Yorker 50/34 (October 14, 1974): 44.
Source: Cartoon
XVI. Photographs and Artwork
B. Artwork