decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gilman, Janet Lynn

Year: 1994
Complete Citation:
Gilman, Janet Lynn. “Charles Ives - master songwriter: the methods behind his madness.” Ph.D. diss., University of Southern California, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gingerich, Lora Louise

Year: 1983
Complete Citation:
Gingerich, Lora Louise. “Processes of Motivic Transformation in the Keyboard and Chamber Music of Charles Ives.” Ph.D. diss., Yale University, 1983.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Glarner, Robert Lewis

Year: 1993
Complete Citation:
Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Goleeke, Tom

Year: 1962
Complete Citation:
Goleeke, Tom. “A discussion of ten songs by three American composers.” D.M.A. thesis, Stanford University, 1962.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Graham, Christopher F.

Year: 2006
Complete Citation:
Graham, Christopher F. “Transcribing Charles Ives Violin Sonatas Nos. 1 and 3 for Clarinet.” D.M.A. diss., University of Miami, 2006.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gratovich, Eugene

Year: 1968
Complete Citation:
Gratovich, Eugene. “The Soantas for Violin and Piano by Charles Ives: A Critical Commentary and Concordance of the Printed Editions and the Autographs and Manuscripts of the Yale Ives Collection.” D.M.A. diss., Boston University, 1968.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Greenberg, Jacob

Year: 2003
Complete Citation:
Greenberg, Jacob. “Charles Ives's songs: a pianist's perspective.” D.Mus. thesis, Northwestern University, 2003.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Greenfield, Ruth Wolkowsky

Year: 1976
Complete Citation:
Greenfield, Ruth Wolkowsky. “Charles Edward Ives and the stylistic aspects of his First Piano Sonata.” D.M.A. Thesis, University of Miami, 1976.
Source: D.M.A. Thesis
A. Dissertations

Gregg, Thomas A.

Year: 1989
Complete Citation:
Gregg, Thomas A. “Song Composers and their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” Ph.D. diss., Ohio State University, 1989.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gregg, Thomas Andrew

Year: 1989
Complete Citation:
Gregg, Thomas Andrew. “Song Composers and Their Poetry Choices: An Analysis of the Literary Background and Textual Selections of Twelve Composers.” D.M.A. diss., Ohio State University, 1989.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Griffith, Michael Ted

Year: 1987
Complete Citation:
Griffith, Michael Ted. “Analysis and selected stylistic problems of five works for small chamber orchestra.” D.M.A. diss., University of Colorado, 1987.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Groh, Jack

Year: 1978
Complete Citation:
Groh, Jack. “A conductor's analysis of and preparation and approach to polyrhythms: with particular attention to polyrhythms in certain of the choral works of Charles E. Ives.” D.M.A. diss., University of Missouri-Kansas City, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hamm, Chelsey

Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hamm, Chelsey L.

Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Harvey, Mark Sumner

Year: 1983
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: A Prophet of American Civil Religion.” Ph.D. diss., Boston University, 1983.
Source: Ph.D. Dissertation
Reprints:

Harvey, Mark Sumner. “On the Boundary of Aesthetic and Cultural Analysis: The Music of Charles Ives as Symbol and Context.” <i>Connecticut Review</i> (1987). [Abridged Version] * Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Re-ligion." Soundings: An Interdisciplinary Journal (Sum-mer-Fall 1989) 72/2-3: 501-525.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Harvin, Laurence E.

Year: 1972
Complete Citation:
Harvin, Laurence E. “The Piano Trio from the Performer’s Viewpoint with Particular Attention Given to the Ives Trio.” D.M.A. diss., Florida State University, 1972.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Henderson, Clayton

Year: 1969
Complete Citation:
Henderson, Clayton Wilson. “Quotation as a Style Element in the Music of Charles Ives.” Ph.D. diss., Washington University, 1969.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Henderson, Joyce Joy

Year: 2008
Complete Citation:
Henderson, Joyce Joy. “Die Concord Sonata von Charles Ives.” Ph.D. diss., Freie Universität, Berlin, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Hilliard, John Stanley

Year: 1983
Complete Citation:
Hilliard, John Stanley. “Part I: Two Pieces for Orchestra (Original Composition Not Part of Microfilm Copy); Part II: Charles Ives’ Robert Browning Overture: Style and Structure.” D.M.A. Thesis, Cornell University, 1983.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations