Image
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Bibliography
Genres
Budiansky, Stephen
Year: 2013
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Keller, James M., Michael Steinberg and Susan Key
Year: 2001
Complete Citation:
Keller, James M., Michael Steinberg and Susan Key. “Search for the modern: early 20th-century mavericks : Charles Ives, Carl Ruggles, Edgard Varèse, Henry Cowell, Ruth Crawford Seeger.” In American Mavericks: Visions, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 16-35. Berkely and Los Angeles, CA: University of California Press.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Macdonald, Calum
Year: 1995
Complete Citation:
Macdonald, Calum. Charles Ives: the unanswered question, Barbican Centre Friday 19 - Sunday 21 January, 1996. London, United Kingdom: BBC Radio 3, 1995.Source: Program Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Morgan, Robert P.
Year: 1992
Complete Citation:
Morgan, Robert P. “General William Booth enters into heaven.” In Anthology of twentieth-century music. New York, NY: W.W. Norton, 1992.X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections
C. Anthology Selections
O’Neal, Barry
Year: 1980
Complete Citation:
O’Neal, Barry. American art songs: a collection of 20th century songs by American composers from Charles Ives to Elliott Carter: for medium voice & piano. New York, NY: Associated Music Publishers, 1980.Source: Book
X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections
C. Anthology Selections
Patterson, Frank
Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Rathert, Wolfgang
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ross, Alex
Year: 1994
Complete Citation:
Ross, Alex. “The Eccentrics Who Declared Independence for America.” The New York Times. May 22, 1994, sec. H, 33.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series
Rothstein, Edward
Year: 1984
Complete Citation:
Rothstein, Edward “Nearly 12 Hours of Tribute to Ives.” The New York Times. March 19, 1984, sec. C, 12.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series
Sherman, Robert
Year: 1987
Complete Citation:
Sherman, Robert. “Music; Ives Series a La Danbury and Canterbury School.” The New York Times, August 16, 1987.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series
Swados, Elizabeth
Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.Notes:
Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.
Source: Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Taruskin, Richard
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000, sec. B, 1.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
B. Concert Series