Image
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Bibliography
Genres
Budiansky, Stephen
Year: 2013
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Hartke, Stephen
Year: 2004
Complete Citation:
Hartke, Stephen. “Center Stage: Ives: Our Musical Grandfather.” In Charles Ives: An American Original in Context, 22, 24, 26. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
D. Program Notes
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kehrmann, Boris
Year: 2000
Complete Citation:
Voices of Our Time Series. "A Contemporary Songs Selection."TDK (DVD DVUS-VTDU, 2000), 91 minutes. Recital of 2000 January 26 at the Teatre Musical de Paris—Chatelet; Dawn Upshaw, soprano; Gilbert Kalish, piano. Booklet Notes in English, German, and French by Boris Kehrmann. Includes Memories and The Circus Band.Source: DVD
B. Films
Keller, James M.
Year: 2004
Complete Citation:
Keller, James M. “Notes on the Program.” May 12 (35--38); May 15, 19-20 (45--49); May 11, 13 (35--39); May 21-22, 25 (35--40, 40D, 40E); May 27--29 (38, 45-48). In Charles Ives: An American Original in Context. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
D. Program Notes
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Lopate, Phillip
Year: 1999
Complete Citation:
Lopate, Phillip. “Above the Battle, Musing on the Profundities.” The New York Times. January 17, 1999, sec. 2, 11.Source: Newspaper
XV. Television Broadcasts, Films, and Videocassettes
B. Films
B. Films
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Patterson, Frank
Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Rathert, Wolfgang
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Redmond, Michael
Year: 1975
Complete Citation:
Redmond, Michael. “Filmers Give Bloomfield Church a Second ‘Look’ at Charles Ives.” Star-Ledger (New Jersey), October 21, 1975, 29.Source: Newspaper
B. Films
Ross, Alex
Year: 1993
Complete Citation:
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
D. Program Notes
Sachs, Joel
Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
D. Program Notes
Scheffer, Frank, producer and director
Year: 2004
Complete Citation:
Frank Scheffer, producer and director. Elliott Carter: Labryinth of Time. Allegri Film/ldeale Audience International, DVD 9DS17, 2004. Color and black and white, 90 minutes. Includes excerpts from The Unanswered Question and Concord Sonata when Carter discusses Ives. Later an ex-cerpt from Figment No. 2— Remembering Mr. Ives {El52} is played.Source: DVD
B. Films
Swados, Elizabeth
Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.Notes:
Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.
Source: Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process