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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
(-) VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Abraham, Gerald

Year: 1979
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Acton, Charles

Year: 1968
Complete Citation:
Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Alexander, J. Heywood

Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.
VII. Entries in Larger Volumes
A. Textbook Accounts

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Andriessen, Louis

Year: 1974
Complete Citation:
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Austin, William

Year: 1971
Complete Citation:
Austin, William. “Ives and Histories.” In Bericht über den internationalen musikwissenschaftlichen Kongress Bonn 1970, edited by Carl Dahlhaus et al., 299-303. Kassel, Germany: Barenreiter, 1971.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Austin, William F.

Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Austin, William W.

Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1982
Complete Citation:
Austin, William W. “Studies of Music in the Twentieth Century.” The Journal of Musicology, vol. 1, no. 1 (1982): 63-66.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Baggiani, Guido

Year: 1974
Complete Citation:
Baggiani, Guido, “Ives and Our Music Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 228-230. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bardi, Aloma

Year: 2004
Complete Citation:
Bardi, Aloma. “Ives in Ascolto, in Ascolto di Ives.” Musica 156 (May 2004): 46--50.
Notes:

[How Ives Listened, How to Listen to Ives].

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Barker, John W.

Year: 1976
Complete Citation:
Barker, John W. “Who Owns Charles Ives?” Reviews in American History 4, no. 3 (September 1976): 442-450.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 1993
Complete Citation:
Baron, Carol K. “In the Premises, What Would He Do?: Charles Ives’s Challenge to Conservative Critics.” Paper presented at International Kongress der Gesellschaft für Musikforschung. Freiburg, Germany, September, 1993.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Battisti, Frank

Year: 1998
Complete Citation:
Battisti, Frank. “The Legacy of Charles Ives.” Instrumentalist 52/7 (Febru-ary 1998): 68-74.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bauer, Marion

Year: 1933
Complete Citation:
Bauer, Marion. 20th Century Music: How It Developed, How to Listen to It, 278. New York, NY: G.P. Putnam’s Sons, 1933.
Source: Book
Reprints:

Bauer, Marion. <i>20th Century Music: How It Developed, How to Listen to It</i>, 278. New York, New York: Da Capo Press, 1978, 278.

VII. Entries in Larger Volumes
D. Other

Beal, Amy

Year: 2003
Complete Citation:
Beal, Amy. “The Army, the Airwaves, and the Avant-Garde: American Classical Music in Postwar West Germany.” American Music 21, no. 4 (Winter 2003): 474-513.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship