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Bibliography

Adkins, Cecil, and Alis Dickinson.

Year: 1974
Complete Citation:
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.
Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Albert, Thomas Russell

Year: 1974
Complete Citation:
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Alexander, Michael

Year: 1986
Complete Citation:
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Allen, Barbara Oakley

Year: 1979
Complete Citation:
Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.
Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Arnold, Jerome Steven

Year: 2014
Complete Citation:
Arnold, Jerome Steven. ““Country Band” March: Historical Perspectives, Stylistic Considerations and Rehearsal Strategies.” D.M.A. diss., George Mason University.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ausubel, Hillel

Year: 1953
Complete Citation:
Ausubel, Hillel. “The Effect of Chromaticism on Tonality: As Found in Selected Compositions from the Period between 1890 and 1910.” Ph.D. diss., Columbia University, 1953.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Averill, Ron

Year: 1995
Complete Citation:
Averill, Ron. “The use of quotation in 20th-century works by Ron Averill, Charles Dodge, and Charles Ives.” D. Mus. Thesis, University of Washington, 1995.
Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Babb, Timothy Martin

Year: 1994
Complete Citation:
Babb, Timothy Martin. “Text painting in the songs of Charles Ives.” D.M.A. Dissertation, University of South Carolina, 1994.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Badolato, James Vincent

Year: 1978
Complete Citation:
Badolato, James Vincent. “The Four Symphonies of Charles Ives: A Critical, Analytical Study of the Musical Style of Charles Ives.” Ph.D. diss., Catholic University, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bagwell, James

Year: 1999
Complete Citation:
Bagwell, James. “Innovation and synthesis: the Psalm settings of Charles Ives.” D. Mus. Thesis, Indiana University, 1999.
Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Banks, Timothy Paul

Year: 1985
Complete Citation:
Banks, Timothy Paul. “Psalm 90 and Harvest home chorales by Charles Ives: a history and performance analysis.” D.M.A. Dissertation, University of Colorado, 1985.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Barnettt, Christina Powers

Year: 1986
Complete Citation:
Barnettt, Christina Powers. “Charles Ives: 114 Songs and Transcendental Philosophy.” D.M.A. Dissertation, University of Texas at Austin, 1986.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baskerville, David Ross

Year: 1965
Complete Citation:
Baskerville, David Ross. “Jazz influence on art music to mid-century.” Ph.D. diss., University of California, Los Angeles, 1965.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Bauer, Marion

Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.
Notes:

Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.

Source: Journal
VI. Topical Studies
V. Awards

Bayne, Harry McBrayer

Year: 1990
Complete Citation:
Bayne, Harry McBrayer. 1990. “A Critical Study of Henry Bellamann's Life and Work.” Ph.D. diss., University of Mississippi.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations