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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Allen, Sandra Gillette

Year: 1966
Complete Citation:
Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Anderson, Clifford Hugh

Year: 1970
Complete Citation:
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Arnold, Gregory Palmer

Year: 1976
Complete Citation:
Arnold, Gregory Palmer. “Charles Ives: his musical philosophy and compositional style as applied to five works for chamber orchestra.” M.M. thesis, University of Houston, 1976.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baker, John Wesley

Year: 1968
Complete Citation:
Baker, John Wesley. “Borrowed hymn tunes in the sonatas and quartets of Charles Ives.” M.A. thesis, University of California, Davis, 1968.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ballard, Lincoln M.

Year: 2001
Complete Citation:
Ballard, Lincoln M. “Similar directions, possible influences: parallels between the music of Alexander Scriabin and Charles Ives.” M.M. Thesis, Florida State University, 2001.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Beck, Jay L.

Year: 1983
Complete Citation:
Beck, Jay L. “The compositional process of Charles Ives's first piano sonata, first movement.” M.M. thesis, Brigham Young University, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Beck, Nancy Ann

Year: 1977
Complete Citation:
Beck, Nancy Ann. “The effect of Charles Ives' religious philosophy on the content of some of his latter songs, 1919-1921.” M.A. Thesis, Ball State University, 1977.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bengford, Timothy J.

Year: 2003
Complete Citation:
Bengford, Timothy J. “Patriotic, political and sociological dimensions in the songs of Charles Ives.” M.A. thesis, California State University, Los Angeles, 2003.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Benkelman, Robert Jon

Year: 1969
Complete Citation:
Benkelman, Robert Jon. “An investigative analysis and historical background of the second movement of the first orchestral set of Charles Edward Ives (Three Places In New England: II. General Putnam's Camp).” M.A. Thesis, San Jose State College, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Berneking, Vicki Lynn

Year: 1973
Complete Citation:
Berneking, Vicki Lynn. “A study of two twentieth-century piano sonatas: Ives’ Concord sonata and Ginastera’s Sonata para piano.” M.A. thesis, Central Missouri State University, 1973.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Blaufuss, Margaret Joanna

Year: 1967
Complete Citation:
Blaufuss, Margaret Joanna. “Charles Ives: “Transcendentalist”” M.A. Thesis, University of Wyoming, 1967.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Boatwright, Howard

Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.
Notes:

B.A. thesis in graphic arts

Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Borgman, George Allan

Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.
Notes:

Numerous citations for Ives.

Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bowden, Derek T.

Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses