Swed, Mark
Year: 2020
Complete Citation:
Swed, Mark. “Culture Monster; Music Review; Remastered Hits; Gustavo Dudamel Presents a Bold Theory in Dvorak-Ives Pairing.” The Los Angeles Times, February 26, 2020.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 2020
Complete Citation:
Swed, Mark. “The Ives of March; Dudamel Brings the Power with an Early 20th Century Firebrand.” The Los Angeles Times, March 5, 2020.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Terse, Paul
Year: 1987
Complete Citation:
Terse, Paul. Charles Ives und die amerikanische Musik bis zur Gegenwart: Begleitschr. zur Ausstellung Niederrheinisches Museum d. Stadt Duisburg, 13. September bis 1. November 1987. Duisburg, Germany: Stadt Duisburg, 1987.Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Tick, Judith
Year: 1997
Complete Citation:
Tick, Judith. “Charles Ives and the Politics of Direct Democracy.” In Ives Studies, edited by Philip Lambert, 133-162. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Tucker, Mark
Complete Citation:
Tucker, Mark. “Of Men and Mountains: Ives in the Adirondacks.” In Ives and His World, edited by J. Peter Burkholder, 161-198. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Velten, Klaus
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Von Glahn [Cooney], Denise
Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.Notes: De-tailed discussion of two songs: The Indians and Charlie Rutlage.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Walcott, Penelope
Year: 2005
Complete Citation:
Walcott, Penelope. “Talking around Ives.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Wallach, Laurence
Year: 1975
Complete Citation:
Wallach, Laurence. “The Ives Conference: A Word from the Floor.” Current Musicology, no. 19 (1975): 32-36.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Watkins, Glenn
Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Weisberger, Bernard A.
Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Wilshire, Bruce W.
Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
no author listed
Year: 1932
Complete Citation:
First Festival of Contemporary American Music. Trask Mansion, Yaddo Estate, Saratoga Springs, NY, May 1, 1932.Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1933
Complete Citation:
“Social Influences in Modern Music.” The Modern Monthly VII, 8 (September 1933): 472-479.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1933
Complete Citation:
“The Class Spirit in Modern Music.” The Modern Monthly VII, 10 (November 1933): 593-598.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1946
Complete Citation:
Second Annual Festival of Contemporary American Music. McMillan Theatre, Columbia University, New York, NY,
May 11, 1946.Notes: Third Program was devoted to Ives's works; The Unanswered Question and Central Park in the Dark were given their premieres.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1948
Complete Citation:
The Festival of Contemporary Arts of the University of Illinois. University of Illinois, Cham-paign-Urbana, May 1948.Notes: The musical portion of the festival fea-tured chamber and solo works by Ives.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences